I oversaw all VFX on Challengers and thanks to great direction from Luca and amazing artists it’s unlike any sports movie ever made! More breakdowns to come. Go watch the movie on Prime!!! — Brian Drewes (@BrianVFX)

“Since Spiderverse came out, lots of artists have been posting behind-the scenes tweets sharing their contributions to the beautiful film. So I'm starting a thread collecting them in one place:”

the thing lynch does better than anyone else in the history of cinema is play with gradients of reality, starting from an understanding that all film (like life itself) can be understood as dream, and so all film (like life itself) can feel real + unreal. So his movies are (1/4)— Jane Schoenbrun (@janeschoenbrun) January 20, 2023

In 🎞🎥movies, which unfold chiefly in time, you think in "edits"/"cuts"/"shots".In 🖱🖥UIs, which unfold chiefly in space, you think in "containers": content-filled boxes to rearrange.Thanks to tech & cultural advance, our units & their composition are getting way richer. pic.twitter.com/I7IbHWalgX— Eli Parra (@elzr) September 29, 2022

I have a Hollywood business theory based exclusively on my own observations and reading about other industries--I claim no insider knowledge.I think one of issues causing all the problems we are lamenting is the infiltration of MBA style management at studios. 1/— Bobby Kirk (@StLKirk) August 27, 2022

This is your annual reminder that your choices for watching THE WIRE are:A. A ropey SD transfer from the early 2000s in 4x3.B. A nice HD transfer in 16x9.Now, one might conceivably say "but Devan! What if it looks better in 16x9? It's wider! More Baltimore!" Well... pic.twitter.com/6LWE6TlBlN— Devan Scott (@SadHillDevan) August 26, 2022