Moonlight in the Lion’s Den
Mike Faist Pulls Back the Curtain
Greta Gerwig’s Next Big Swing
Gerwig is drawn to the “euphorically dreamlike” quality of Lewis’ writing. “It’s connected to the folklore and fairy stories of England, but it’s a combination of different traditions,” she says.“As a child, you accept the whole thing—that you’re in this land of Narnia, there’s fauns, and then Father Christmas shows up. It doesn’t even occur to you that it’s not schematic. I’m interested in embracing the paradox of the worlds that Lewis created, because that’s what’s so compelling about them.”
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Denis Villeneuve Refuses to Let Hollywood Shrink Him Down to Size
preserving the book’s spirit was paramount. “I was trying to be, as a filmmaker, as invisible as possible. I tried my best to keep the poetry of the book, the atmosphere, the colors, the smell, everything that I felt when I read the book. I tried.”
in Herbert’s Dune, computers and artificial intelligence have been banished. Humans try to develop the potential of the human brain, “which is actually the opposite of what we’re trying to do right now,” Villeneuve says.
he worries less about AI “than the fact that we behave like algorithms, as filmmakers. We’re in a very conservative time; creativity is restricted. Everything’s about Wall Street. What will save cinema is freedom and taking risks. And you feel the audience is excited when they see something they haven’t seen before.”
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How a Script Doctor Found His Own Voice
Angelina Jolie Is Rebuilding Her Life
Charles Melton on How ‘Riverdale,’ Heath Ledger, and His Childhood Informed His ‘May December’ Triumph
Yeah. I was thinking a lot about repression, and just not so much just the feeling, but how that would manifest through the body. How you can communicate so much by so little. If you see someone in the corner kind with their shoulders hunched and walking around and keeping to themself and not really taking up so much space, you feel sympathy for them. You feel kind of bad for them.
Timothée Chalamet Goes Electric
The man-child. The people who so loved playing characters that they played characters in their real lives, too, without actually transforming themselves into more mature human beings. He knew the cliché about celebrities staying developmentally the age that they were when they became famous. But how is a beloved movie star meant to change the right way? How is he supposed to grow up? How does he meaningfully evolve his life and art without killing his core?
What happens when you deliberately defy the moves that led you where you’d always wanted to go, and try something altogether different? It was a risk. But it made perfect sense. It happens. Your family members start to die. Your elders get replaced by your peers. You pack up your life and plant roots elsewhere. You put down the instrument that made you known and pick up another one instead. You plug it in. Do you hear that? That’s the buzz of something new. Wait till you hear what it sounds like when you strum.
Sydney Sweeney on Fame, Hollywood Fakery and the Pressure of Paying the Bills