The Talented Mr. Epstein | Vanity Fair
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Review: Taiwan's "Dear Ex" Tells An Offbeat And Poignant Family Story | Cinema Escapist
Militarization fails to enhance police safety or reduce crime but may harm police reputation | PNAS
George Floyd protests: Police erupt in violence nationwide during the third night of protests.
Mass Extermination of Iowa Pigs Amid Pandemic Revealed
The History of Police in America and the First Force | Time
Who Exactly Is Doing the Looting, and Who’s Being Looted?
There's always a bigger scandal
The Rise of the Sadcom
How A24 is Disrupting Hollywood | GQ
Waves review: stirring and showy, this is the kind of cinema that keeps you young
Review: The Emotions of 'Waves' Give Shape to Movie as Mixtape
The Technium: 68 Bits of Unsolicited Advice
The Cancer in the Camera Lens | The New Republic
Cecily Strong on Grieving a Loved One While Quarantined
Interface Aesthetics - An Introduction - Rhizome
Nevertheless, the interface pushes back with its prescribed methodologies, workflows, and limitations. Interface and artist are an antagonistic pair. Perhaps the best description of the polemic between the two is one of productive cannibalism. Just as the interface evolves under the pressure of innovation to accommodate new pragmatic uses, the artists’ will continue to deconstruct and push its aesthetic and behavioral properties to their limits.
‘Trolls World Tour’ Review: A Silly and Psychedelic Jukebox Musical | IndieWire
Neo-Neo Realism - American Directors Make Clear-Eyed Movies for Hard Times - The New York Times
How Trailers Made 'Get Out' and 'Split' Hits
Hold the line - Jonathan Smith - Medium
Searchlight, A24, Focus Features Alter Release Slate – Specialty Box Office – Deadline
Coronavirus: Movies That Have Stopped Or Delayed Production – Deadline
Universal’s Trolls Move Shows Studios Have Upper Hand Over Theaters | IndieWire
Movie Theater Owners: We Need a Bailout, Too - The New York Times
Movie Crowds Stay Away. Theaters Hope It’s Not for Good. - The New York Times
As the Academy Mulls Possible Rule Changes, Why Oscars Need Theatres | IndieWire
What a Delayed Cannes Film Festival Means for World Cinema (Column) – Variety
Box Office Walloped Wednesday As 5,000 Theaters Go Dark: Coronavirus – Deadline
As a Virus Upends Hollywood, There May Never Be a Return to Normal | Hollywood Reporter
Who Would Have Thought an iPad Cursor Could Be So Much Fun? | WIRED