The Beta Test: Join the New Film by SUNDANCE and SXSW Winning Filmmakers | Wefunder
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Creative Lighting Technique - Using Mason Jars To Convey Emotion | cinema5D
'They're damaged': Succession’s Jeremy Strong on sibling hell – and that cringey rap | Television & radio | The Guardian
Suspiria: Season of the Witch - The American Society of Cinematographers
The 10 best X-Files episodes newbies should watch
HBO's 'Succession' Finale Was Masterful: Review - The Atlantic
The Land of the Large Adult Son | The New Yorker
The Talented Mr. Epstein | Vanity Fair
Review: Taiwan's "Dear Ex" Tells An Offbeat And Poignant Family Story | Cinema Escapist
Militarization fails to enhance police safety or reduce crime but may harm police reputation | PNAS
George Floyd protests: Police erupt in violence nationwide during the third night of protests.
Mass Extermination of Iowa Pigs Amid Pandemic Revealed
The History of Police in America and the First Force | Time
Who Exactly Is Doing the Looting, and Who’s Being Looted?
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The Rise of the Sadcom
How A24 is Disrupting Hollywood | GQ
Waves review: stirring and showy, this is the kind of cinema that keeps you young
Review: The Emotions of 'Waves' Give Shape to Movie as Mixtape
The Technium: 68 Bits of Unsolicited Advice
The Cancer in the Camera Lens | The New Republic
Cecily Strong on Grieving a Loved One While Quarantined
Interface Aesthetics - An Introduction - Rhizome
Nevertheless, the interface pushes back with its prescribed methodologies, workflows, and limitations. Interface and artist are an antagonistic pair. Perhaps the best description of the polemic between the two is one of productive cannibalism. Just as the interface evolves under the pressure of innovation to accommodate new pragmatic uses, the artists’ will continue to deconstruct and push its aesthetic and behavioral properties to their limits.
‘Trolls World Tour’ Review: A Silly and Psychedelic Jukebox Musical | IndieWire
Neo-Neo Realism - American Directors Make Clear-Eyed Movies for Hard Times - The New York Times
How Trailers Made 'Get Out' and 'Split' Hits
Hold the line - Jonathan Smith - Medium
Searchlight, A24, Focus Features Alter Release Slate – Specialty Box Office – Deadline
Coronavirus: Movies That Have Stopped Or Delayed Production – Deadline
Universal’s Trolls Move Shows Studios Have Upper Hand Over Theaters | IndieWire