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Culture Council: The Future Belongs to Impact-Driven Creators: The Shift in the Creator Economy
Culture Council: The Future Belongs to Impact-Driven Creators: The Shift in the Creator Economy
Fun fact: The exit cycles of movies can be 2x shorter than those of tech startups.
all of these emerging movements start with major capital injections, therefore, novel fundraising systems, i.e., equity crowdfunding along with increasing institutional trust, could be useful catalyzers for this new era in Hollywood.
·rollingstone.com·
Culture Council: The Future Belongs to Impact-Driven Creators: The Shift in the Creator Economy
Editors who left the field or take less work: what came next? : r/editors
Editors who left the field or take less work: what came next? : r/editors

AI summary: An experienced video editor is experiencing burnout and seeking advice from others who have transitioned out of or reduced their work in the editing field, exploring alternative career paths or ways to balance editing with other pursuits.

  1. Industry challenges:

    • The post suggests that career progression and financial growth in editing may be stagnating
    • There's an indication that the editing field might not be as rewarding or sustainable as it once was

  2. Digital fatigue:

    • The mention of "computer burnout" points to a growing issue of digital exhaustion in tech-heavy professions
    • This reflects a broader trend of professionals seeking balance in the digital age

  3. Shift in career values:

    • There's a noticeable desire for tangible, physical work, suggesting a potential pushback against purely digital careers
    • This could indicate a broader trend of reevaluating career satisfaction beyond traditional metrics of success

  4. Gig economy pressures:

    • The consideration of part-time work combined with freelancing hints at the challenges of stability in the gig economy
    • It suggests that full-time roles in editing might be less available or less appealing

  5. Community support importance:

    • Reaching out to peers for advice highlights the value of professional communities in navigating career challenges
    • This reflects a broader trend of using online platforms for career guidance and support

  6. Work-life balance concerns:

    • The post indicates a growing prioritization of lifestyle and well-being over traditional career paths
    • This aligns with wider discussions about work-life balance, especially post-pandemic

  7. Adaptability and multi-skilling:

    • Considering diverse career options suggests a need for adaptability in the current job market
    • It points to a trend of professionals looking to diversify their skills and income streams
#discourse#trends#editing#careers#tiktok#social media#burnout
·reddit.com·
Editors who left the field or take less work: what came next? : r/editors
Sam Altman doesn’t care about you
Sam Altman doesn’t care about you
through technological intervention in human biology, not by improving the collective conditions of human life. If he was serious about wanting to extend people’s lifespans by 10 years, he wouldn’t be looking at sci-fi fantasies, but at the policies that can deliver those benefits and how to get the US political system to move them forward
It’s not just that the United States is very economically unequal, but one of the consequences of that is that the rich live, on average, 10 to 15 years longer than the poor.
No tech company is going to roll out some new digital service or AI-powered platform that is going to make any significant dent in the factors that are causing such a disparity in the number of years poor and rich Americans — or Americans and citizens of other countries — actually live.
billionaires in Silicon Valley, many of whom want us to believe they’re on our side, have no real interest in the policies and political action that would be necessary to close that gap. Instead, they want to hoard as much wealth as possible so they can pretend they’re building the sci-fi visions they spent their youths reading about.
We can see many examples through history where the rollout of new technologies has improved our quality of life and increased our lifespans. But when tech billionaires use that term, they actually means letting VC-funded tech companies deploy whatever they want on an unsuspecting public with little regulation and no threat of accountability when things go wrong.
·disconnect.blog·
Sam Altman doesn’t care about you
Why Creators Have Stopped Editing Their Content
Why Creators Have Stopped Editing Their Content

AI Summary: A new trend is emerging among content creators on platforms like YouTube and TikTok, where they are moving away from heavily edited videos to more raw, unedited content. This shift is driven by audience fatigue with overstimulating, retention-edited videos and a desire for more authentic, relatable content. Creators like Dan Hentschel and Sam Sulek have gained large followings by posting unedited videos, finding that this approach saves time, money, and resonates better with viewers. The trend is seen as a reaction to the oversaturation of highly produced content, with even top creators like MrBeast acknowledging the benefits of a more stripped-down approach. Industry experts and creators alike report that unedited content often outperforms edited videos in terms of views and engagement, as it creates a sense of intimacy and authenticity that audiences crave in the current social media landscape.

See also [[companionship content]]

WHEN DAN HENTSCHEL, a 28-year-old comedic YouTuber, goes to make a video, he props his phone up on the dashboard of his car, talks for up to 40 minutes uninterrupted, and posts it.
social media users are getting fatigued by the overstimulating, brain-rot style of videos, where graphics and sounds appear every 1.5 seconds. No-edit creators, he says, are building deeper relationships with their followers.
“The no-edit format feels more intimate. It’s as if you’re hanging out with your friend at the gym, going for a car ride, or just hanging out at home. These no-edit creators, in particular, replicate face-to-face communication, which creates a sense of intimacy. They speak directly into the camera as if they’re looking at you directly.”
Adam Meskouri, who negotiates content and licensing partnerships with creators and runs the Instagram page @baai, which posts viral content, says that he’s seen no-edit content take off in the past couple of months. “The videos that perform the best are videos that don’t have text overlays, or cuts, or special effects,” he says. “They’re usually just continuous clips.”
#video editing#trends#YouTube#culture#editing
·rollingstone.com·
Why Creators Have Stopped Editing Their Content
Alien: Romulus Director Fede Álvarez Breaks Down That Controversial Cameo
Alien: Romulus Director Fede Álvarez Breaks Down That Controversial Cameo
I think they make too many. [Laughs.] I think Hollywood has to learn to be missed. Hollywood used to be, at least, not too long ago, a place where you were begging for the movie; you were begging for them to give you a new Star Wars, a new this, a new that, you just couldn’t wait … Now it kind of feels the other way around. Hollywood is like, Do you want another one, do you want another one? I’ll give you two of these for the price of one! They’re just giving people too much that they’re not even asking for, and I think that’s never a good position. The whole system that controls [the] IPs should be more precious about them, and really pace themselves, and make sure the audience is dying for one, instead of just giving them five a year.
It gets to a point after 100 years of cinema that a lot of the big ideas that we came up with have a brand. If I told you, “I’m gonna write this original movie about a bunch of kids in a colony in space, and they go to the space station, and there’s a monster in there,” you’re gonna go, “It's Alien.” And I’ll go, “Oh no, it’s not Alien, it’s something else,” you’ll lose interest right away, go like, “Pfft, it’s a rip-off.”
·gq.com·
Alien: Romulus Director Fede Álvarez Breaks Down That Controversial Cameo
A.I. Artificial Intelligence movie review (2001) | Roger Ebert
A.I. Artificial Intelligence movie review (2001) | Roger Ebert
After faithfully following his instructions in such a way that he nearly drowns Martin, he loses the trust of the Swintons and they decide to get rid of him, just as parents might get rid of a dangerous dog. Monica cannot bring herself to return David to Cybertronics. She pauses on the way and releases him into a forest, where he can join other free-range mechas. He will not die. He doesn't get cold, he doesn't get hungry, and apparently he has an indefinite supply of fuel. Monica's decision to release him instead of turning him in is based on her lingering identification with David; in activating him to love her, she activated herself to love him. His unconditional love must have been deeply appealing. We relate to pets in a similar way, especially to dogs, who seem to have been activated by evolution to love us.
·rogerebert.com·
A.I. Artificial Intelligence movie review (2001) | Roger Ebert
The AI summer — Benedict Evans
The AI summer — Benedict Evans
an LLM by itself is not a product - it’s a technology that can enable a tool or a feature, and it needs to be unbundled or rebundled into new framings, UX and tools to be become useful. That takes even more time.
·ben-evans.com·
The AI summer — Benedict Evans
Mulholland Dr. movie review & film summary (2001) | Roger Ebert
Mulholland Dr. movie review & film summary (2001) | Roger Ebert
I gave my usual speech about how you can't take an interpretation to a movie. You have to find it there already. No consensus emerged about what we had found. It was a tribute to Lynch that the movie remained compulsively watchable while refusing to yield to interpretation. The most promising direction we tried was to delineate the boundaries of the dreams(s) and the identities of the dreamer(s).
·rogerebert.com·
Mulholland Dr. movie review & film summary (2001) | Roger Ebert
IndieWire Best movies of the 2000s - last page
IndieWire Best movies of the 2000s - last page
Many filmmakers have interrogated the dream factory that employs them, but only David Lynch understands that to capture its insidious beauty requires rendering it a dream itself, in all of its prismatic glory. While “Mulholland Dr.” is — and is about — a dream, it feels like a disservice to the film to describe in such elemental terms.
it’s eminently possible to pull apart the surrealism in Lynch’s masterpiece to determine “how it works,” but doing so can’t ruin or even explain the film’s magic, which lies in how Lynch organizes every element at his disposal until real and unreal become indistinguishable.
their journey from A to B animates the desperate mystery at the film’s core, which revolves around personal identity and encompasses a web of taciturn mobsters, dopey hitmen, soothsaying cowboys, and ambitious filmmakers cut down at the knees.
Watts’ disarming portrayal of a wide-eyed naif evaporates the instant Betty enters a crucial audition; when it’s over, Watts and her character(s) suddenly feel unknowable and out of reach, just like movie stars.
the ugliness of the factory’s gears become readily apparent, and “Mulholland Dr.” becomes about the despair and heartbreak that comprise Hollywood’s background.
Time and again, Yang’s characters return to the feeling that something isn’t enough. A child’s presence isn’t seen as enough comfort to his comatose grandma if he can’t think of something eloquent to say. The effort spent on a massive video game project at work inevitably means not spending enough time with family (and vice versa). And the makeshift pile of memories and bonds that we acquire over the course of a lifetime — always doing our best — never feels like enough when we compare it against our Platonic fantasies of what could have been.
The finished film feels like a parting gift from an artist — already at the end of his tragically short life — who came to appreciate that a well-lived human life contains more poetry than all of the planet’s art put together.
David is unique because the love he carries for Monica quite literally allows his mommy to be real again, and in doing so it sees him become the only son humanity has left. The super robots designate him as an original because he actually knew a living person — he’s the realest boy in the whole wide world. And so the artifice of their experiment gives way to the most genuine of truths:  Love doesn’t exist in defiance of time — love is the defiance of time. And like David, the movie that Spielberg has made about him will never age a day.
#films#reviews#sci-fi#themes
·indiewire.com·
IndieWire Best movies of the 2000s - last page
The Best Movies of the 2000s, According to IndieWire Editors
The Best Movies of the 2000s, According to IndieWire Editors
As the film goes on and its tight mosaic of characters flitter around each other, July mines all sorts of poignant hilarity from how people struggle to ask for the love they need. Everyone is available to each other in a way that the internet was just starting to make obvious at the time, but digital tools are already beginning to collapse the various distancing mechanisms that people use to keep themselves from getting hurt by their own desires. With a sensitivity that would seem alien in less courageous hands, July traces a dawning present in which people can share the most intimate of experiences with a perfect stranger, and still not even be able to risk making direct contact with someone standing right in front of them.
·indiewire.com·
The Best Movies of the 2000s, According to IndieWire Editors
Dump Site
Dump Site

Dump Site is an archival collection of files pulled from trash folders and recently deleted. It is a virtual landfill open to the public. Please donate something from your trash folder on your computer, or other devices. You may donate as many files as you’d like, and any file formats are welcome (image, pdf, sound, video, webpage, 3D).

By donating your file, you are giving permission for it to be displayed publicly as part of this project and other potential projects that use its database. Do not upload files containing private or identifying information without permission. Thank you for your contribution!

Niche InternetNiche Internet#multiplayer#niches#digital gardens
·duuump.site·
Dump Site
How Are You Auramaxxing?
How Are You Auramaxxing?
While readings like those that might come from an aura photographer had previously been done by assigning meanings to specific colors, a point system has emerged from teenagers on TikTok, where real-life interactions are gamified into gaining or losing “aura points.” There are celebrity compilations of “the worst aura moments of all time” and people posting concerns about losing aura because their boyfriend wants space. Taking care of your skin and taping your mouth while you sleep will gain you aura points. Same goes for developing an aesthetic, sitting in nature, making eye contact with women, using wired headphones, doing pull-ups, not speaking, and finding other friends with aura. While the aura math online is inconsistent and subjective (people usually debate the points in the comments), the general rule is you gain hundreds or thousands of points by doing something impressive, intriguing, charismatic, or authentic.
While learning how to auramaxx by preparing for conversations as an introvert and eating breakfast and working out in the morning may help some young men navigate life, and the mostly amusing aura point system may seem harmless, Derek Beres, author and co-host of Conspirituality, a podcast dismantling New Age cults, wellness grifters, and conspiracy-mad yogis, points out that auramaxxing content online is rife with misogyny. This comes as little surprise seeing as, according to Beres, wellness content online often has right-wing overlap, and looksmaxxing has roots within incel message boards. Aside from the obvious potential for harm toward women, Beres says that the pursuit of auramaxxing can also inevitably lead to guilt and shame for young men.
#culture#trends#tiktok#spirituality#religion#economy#generations/genz#identities/masculinity
·thecut.com·
How Are You Auramaxxing?
Offline is the New Online
Offline is the New Online
essay predicting a shift away from online life - predicts a significant shift in social interaction by 2027, with less than 15% of the population actively participating online, as people seek more authentic offline connections and experiences, marking the end of the current era of social media.
#trends#blog#internet#lifestyle#culture
·default.blog·
Offline is the New Online
How will sexism impact Harris's presidential campaign?
How will sexism impact Harris's presidential campaign?
These statistics point to the fact that some Americans may not support female candidates or candidates of color not because of overt sexism and racism or even implicit bias, but because of more complicated fears about whether candidates with these identities can win. This is a concept known as "strategic discrimination," which explains that women and people of color are underrepresented in U.S. politics because voters hesitate to support nonwhite, nonmale candidates based on concerns about whether other voters will support them.
·abcnews.go.com·
How will sexism impact Harris's presidential campaign?
M. Night Shyamalan Says Bad Reviews of ‘Glass’ Made Him Cry
M. Night Shyamalan Says Bad Reviews of ‘Glass’ Made Him Cry
“What do you want to be?” Shyamalan asked. “Writer? Director?” “Director,” the student said. “But that’s really hard to accomplish.” Shyamalan shot back with a heated response. “Dude, I don’t like the way you talk, bro,” he said. “How can you tell me that it’s going to be hard? Do you see a lot of people like you writing stories? Give me a break, bro. That’s your strength, that you’re not like us. Go out there and tell your stories. Don’t go out there and try to be like Quentin or me or anybody else. We need you. Tell me what makes you angry, why you’re arrogant, or fearful, whatever it is. Don’t hide anything. Be honest. What is that thing that bothers you and makes you distinct? Everyone’s looking for you. A Mexican point of view to tell a story right now? I’m telling you, everybody wants that right now.”
#filmmaking#directing#interviews#people/M-Night
·indiewire.com·
M. Night Shyamalan Says Bad Reviews of ‘Glass’ Made Him Cry
The Right Kind of Stubborn
The Right Kind of Stubborn
Graham argues that persistence is more complex and effective in solving hard problems, while obstinacy is simpler and less likely to lead to success.
the obstinate don't want to hear you. When you point out problems, their eyes glaze over, and their replies sound like ideologues talking about matters of doctrine.
The reason the persistent and the obstinate seem similar is that they're both hard to stop. But they're hard to stop in different senses. The persistent are like boats whose engines can't be throttled back. The obstinate are like boats whose rudders can't be turned.
There will be some resistance to turning the rudder of a persistent person, because there's some cost to changing direction.
In the degenerate case they're indistinguishable: when there's only one way to solve a problem, your only choice is whether to give up or not, and persistence and obstinacy both say no. This is presumably why the two are so often conflated in popular culture. It assumes simple problems. But as problems get more complicated, we can see the difference between them. The persistent are much more attached to points high in the decision tree than to minor ones lower down, while the obstinate spray "don't give up" indiscriminately over the whole tree.
The persistent are attached to the goal. The obstinate are attached to their ideas about how to reach it.
the persistent must also be imaginative. To keep trying things, you have to keep thinking of things to try
persistence often requires that one change one's mind. That's where good judgement comes in. The persistent are quite rational. They focus on expected value. It's this, not recklessness, that lets them work on things that are unlikely to succeed.
in practice your energy and imagination and resilience and good judgement have to be directed toward some fairly specific goal. Not too specific, or you might miss a great discovery adjacent to what you're searching for, but not too general, or it won't work to motivate you.
When you look at the internal structure of persistence, it doesn't resemble obstinacy at all. It's so much more complex. Five distinct qualities — energy, imagination, resilience, good judgement, and focus on a goal — combine to produce a phenomenon that seems a bit like obstinacy in the sense that it causes you not to give up. But the way you don't give up is completely different. Instead of merely resisting change, you're driven toward a goal by energy and resilience, through paths discovered by imagination and optimized by judgement. You'll give way on any point low down in the decision tree, if its expected value drops sufficiently, but energy and resilience keep pushing you toward whatever you chose higher up.
#business/strategy#careers
·paulgraham.com·
The Right Kind of Stubborn