Saved

How they translate into 3D spaces, how they are integrated with architecture, lighting, textures & materials enables more avenues for brand expression, and often elevates the perception of a brand over time and exposure, even if the logo fades somewhat into the background.

here are five large language model applications that I find intriguing: Intelligent automation starting with browsers but this feels like a step towards phenotropics Text generation when this unlocks new UIs like Word turning into Photoshop or something Human-machine interfaces because you can parse intent instead of nouns When meaning can be interfaced with programmatically and at ludicrous scale Anything that exploits the inhuman breadth of knowledge embedded in the model, because new knowledge is often the collision of previously separated old knowledge, and this has not been possible before.

So when ex-Telltale Games designer and writer Sean Vanaman announced last month that the first game from Campo Santo, his new video game development studio, was "being both backed by and made in collaboration with the stupendous, stupidly-successful Mac utility software-cum-design studio slash app/t-shirt/engineering company Panic Inc. from Portland, Oregon," it wasn't expected, but it wasn't exactly surprising, either. It was, instead, the logical conclusion of years-long friendships and suddenly aligning desires.

"There's a weird confluence of things that have crisscrossed," he said. "One is that we're lucky in that Panic is the kind of company that has never been defined by a limited mission statement, or 'We're the network tool guys' or anything like that. I mean, we made a really popular mp3 player. Then we kind of fell into network tools and utilities, but we've always done goofy stuff like our icon changer and these shirts and all that other stuff. "I kind of love that we can build stuff, and the best reaction that we can get when we do a curveball like this is, 'That's totally weird, but also that totally makes sense for Panic.'"

"To me," Sasser said, "when you have actually good people who are more interested in making awesome things than obsessing over the business side of things or trying to squeeze every ounce of everything from everybody, then that stuff just goes easy. It's just fun. The feeling that you're left with is just excitement.

Every backdrop was generic and crisp: the scrubbed tech-compound where Gemma (Allison Williams) works; the bland, Wayfair-decorated house she lives in; the clean, non-specific streets she drives on. I thought little of this while watching. The movie looked expensive and professional, or at least had the hallmarks of those things: glossy, filtered, smooth. Only after it ended did it occur to me that it seemed, like so many other contemporary movies and shows, to exist in a phony parallel universe we’ve come to accept as relevant to our own.

All advice is context dependent to a degree that you may not appreciate until you encounter a different context.

If you’re talking to kind of a mature audience that appreciates the limits of knowledge and the limits of advice, then you can say almost anything, and it doesn’t really matter because you don’t have to worry that they are gonna misinterpret what you’re saying and apply it in some domain in which it’s not appropriate. You as the advice giver cannot caveat your advice sufficiently.

if you go somewhere substantially different from where you are, you get to experience a different reality and that will make you question your own origins. It’ll make you question the norms of the place that you’re from.

However the most controversial step I’ll be taking is removing a few of the functions. This usually gets pushback from most product managers as for them “features == sales”. The problem with this thinking is that it assumes a) all features are used and b) extra features has no negative impact.

Blockbuster responded by pricing Blockbuster Online 50 cents cheaper, accelerating Netflix’s stock slide. Netflix, though, knew that Blockbuster was carrying $1 billion in debt from its spin-off from Viacom, and decided to wait it out; Blockbuster cut the price again, taking an increasing share of new subscribers, and still Netflix waited.

As the site of consumer engagement transitioned from print to web in the mid- to late-2000s, many brands found themselves with identity systems that were unequipped for the technical constraints of the web at the time, which lacked broad device compatibility, support for responsive design, or opportunities for nuanced customization.

iPad.

Chazelle gives lip service to the idea that this version of landing on the moon is worth the trip, but he drags his characters and the viewers through so much misanthropy to get there that it's hard to believe him.

the ascending arcs of the outsiders—Manny, Sidney, and Nellie don't understand they're part of a system that values them about as much as it does the equipment it needs to shoot the films (maybe less).

The claim that simpler gender recognition will lead to unsafe changing rooms and toilets is further undermined by a strange and ignominious chapter in North Carolina’s history where, in 2016, these exact concerns led to the introduction of a law demanding people only use toilets which correspond to the gender stated on their birth certificate. The new law not only caused a rise in transphobia, it also opened up the possibility of increased harassment of women in public restrooms who weren’t transgender but who didn’t dress or present in a ‘feminine’ way. It also meant that transgender men were being forced to use women’s toilets. In the end, a federal judge got rid of the dangerous and unworkable legislation in 2019.

“…often cite fear of safety and privacy violations in public restrooms if such laws are passed…No empirical evidence has been gathered to test such laws’ effects…This study finds that the passage of such laws is not related to the number or frequency of criminal incidents in these spaces.

Men who prey on vulnerable women are a worldwide problem, but this has nothing whatever to do with trans people. On the contrary, trans people are generally far more worried about accessing toilets and changing rooms than cisgender women, because they fear being verbally abused or attacked by people who don’t think they should be there.

It would be useful to know of the evidence you have that trans rights are affecting education and/or safeguarding. Trans rights do not affect either, just as the right to equal marriage did not affect the rights of cisgender heterosexual people to marry

We do not consider it a crime for women to express concern. We do however consider it abusive and damaging when people conflate trans women with male sexual predators, impute sexual criminality to trans identities, suggest that support of a trans child is parental homophobia and misogyny, and share uncorroborated and inaccurate information which severely damages the lives of trans and non-binary people.

Every software framework you've ever used is in the abstraction game: it takes a general-purpose tool, picks a specific set of common use-cases, and puts up scaffolding and guard rails that make it easier to build those specific use cases by giving you less to do and fewer choices to think about. The lines between these three are blurry. Popular abstractions become standardizations.

The stories we are launching with draw on themes that have long been part of the Dirt ethos: nostalgia for a smaller internet, the ephemerality of “vibes” and how they manifest on different networks, the infinite ways intellectual property can be adapted across platforms, visually-driven online subcultures, the collapse of “high” and “low” culture, and the imperfect politics of the emerging metaverse.

I’m an extremely critical person. I’m not proud of that, but I’m also not trying particularly hard to change it. I think it’s one of my core strengths and definitely my greatest weakness — I’m able to dissect precisely what makes a thing work and what’s holding it back.

Which is great — except for the fact that it’s nearly impossible not to wear this hyper-critical lens while looking at myself too. Framed positively, this is the most potent “growth mindset” imaginable. Framed negatively, this is being fucking brutal towards myself. And unfortunately, the latter is a much stronger motivator: self-flagellation and withholding satisfaction are addictive in the way that they produce consistent results.

The inactive form is especially pernicious: it feels excruciatingly difficult to ship things when your standard is nothing less than excellence in the eyes of the people you most respect.

Relentlessly examining all the ways that things could be better allows you to recognize and replicate quality while developing a taste for objective truth.

reciting affirmations or “being nicer towards yourself” is basically bullshit advice because it’s asking us to go against our entire nature — the very nature that has been both rewarded and refined into one of our most valuable assets out in the external world.

Backing away from your voices allows you to piece out the kernels of truth embedded in each of their undertones. In my case:I haven’t achieved anything I’m proud of yet and want to feel like I’ve earned my spotI want to commit to something and hold myself to itI want to do something worthy of respect from the people whom I respect

You might avoid doing things that threaten your sense of self, even if they would help you grow. They’ll direct you towards things that feel attainable and legible, even if that’s not what’s best. Being able to accept yourself lowers the stakes, letting you see yourself clearly.

If one must be self-critical, do it based on trajectory, not position.

If you hate things about yourself, it’s impossible to keep it contained. People reserve their greatest cruelty for people who remind them of what they hate about themselves.

maybe that’s the hidden gem of being extremely critical: it gives you a lot of signal on what you want out of life — or at least to start, a lot of signal on what you don’t want. High standards are an essential ingredient to excellence and to be completely honest, I’m quite uninterested in doing anything less than excellent.

I’ve always been a pretty goal-oriented person — but mostly because I frame my goals on a salvation scale. It’s not enough for achieving a thing to offer me exactly what I want — my brain craves anything I aim for to hold the key to everything that I need. As diabolical as this sounds, it’s extremely effective. With stakes that high, I’m willing to pull out all the stops. Failure just doesn’t feel like an option. By telling myself that whatever I’m reaching for will essentially allow me to achieve nirvana, I guarantee that motivation will never be in short supply.

But with that comes the feeling that anything but progressing through life at warp speed is probably proof that you’re doing something deeply wrong.

In my case, I want things to feel hard. How else will I know that I’m making progress? In practice, this sentiment easily leads to self-sabotage. It encourages me to pick projects and people that give my overactive brain a silly sudoku-like game to play while matching my mind’s stock image of “meaningfulness.”

Your brain might be able to whip up a five-page single-spaced essay outlining exactly what you want and need in extensive detail, but your heart will always have the last word (and trust me, they will fit on a post-it).

We seem to be afraid brevity might make us look unintelligent or uninformed. Over-intellectualizing our decisions to signal we understand the complexity of the world is now the new norm.

it’s a good sign when things feel remarkably simple and wordlessly right. And when they do, it’s interesting to look around and notice how incredibly irrelevant speed is.