Critic's Notebook: Apple, Disney and the Overwhelming Era of "Plus TV"
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The 2020 Election Will Be a War of Disinformation - The Atlantic
Knives Out, Last Jedi DP has a plan to end the film-vs-digital debate - Polygon
Let’s Meet Again in Five Years - The New York Times
Inside Mark Zuckerberg's Lost Notebook | WIRED
Elon Musk's First Wife Justine Musk Talks Their Messy Divorce
I'm Not Sorry for Leaving You on Read
Barnes & Noble Wants to Be More Like an Indie Bookseller - Bloomberg
Best James Bond Yet: Daniel Craig on "No Time to Die" and How He Changed 007 Forever
Coronavirus: The dos, don’ts, and rules of social distancing - Vox
We’re not going back to normal - MIT Technology Review
Who Would Have Thought an iPad Cursor Could Be So Much Fun? | WIRED
As a Virus Upends Hollywood, There May Never Be a Return to Normal | Hollywood Reporter
Universal’s Trolls Move Shows Studios Have Upper Hand Over Theaters | IndieWire
Movie Theater Owners: We Need a Bailout, Too - The New York Times
Movie Crowds Stay Away. Theaters Hope It’s Not for Good. - The New York Times
As the Academy Mulls Possible Rule Changes, Why Oscars Need Theatres | IndieWire
What a Delayed Cannes Film Festival Means for World Cinema (Column) – Variety
Box Office Walloped Wednesday As 5,000 Theaters Go Dark: Coronavirus – Deadline
Searchlight, A24, Focus Features Alter Release Slate – Specialty Box Office – Deadline
Coronavirus: Movies That Have Stopped Or Delayed Production – Deadline
Hold the line - Jonathan Smith - Medium
How Trailers Made 'Get Out' and 'Split' Hits
Neo-Neo Realism - American Directors Make Clear-Eyed Movies for Hard Times - The New York Times
‘Trolls World Tour’ Review: A Silly and Psychedelic Jukebox Musical | IndieWire
Interface Aesthetics - An Introduction - Rhizome
Nevertheless, the interface pushes back with its prescribed methodologies, workflows, and limitations. Interface and artist are an antagonistic pair. Perhaps the best description of the polemic between the two is one of productive cannibalism. Just as the interface evolves under the pressure of innovation to accommodate new pragmatic uses, the artists’ will continue to deconstruct and push its aesthetic and behavioral properties to their limits.
Cecily Strong on Grieving a Loved One While Quarantined
The Cancer in the Camera Lens | The New Republic
The Technium: 68 Bits of Unsolicited Advice
Review: The Emotions of 'Waves' Give Shape to Movie as Mixtape