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I couldn’t help but wish that other missing parts had been included in the adaptation: a scene that uses a billiard table as a metaphor for a particle accelerator; Liu’s deeper exploration of the VR game, which allows the reader to try to untangle its collection of mysteries along with the characters instead of just watching them solve it; more details about the ingenious “human computer” in VR, which looks cool but isn’t really explained on-screen.

Arthur C. Clarke hypothesized that "our technology must still be laughably primitive; we may well be like jungle savages listening for the throbbing of tom-toms, while the ether around them carries more words per second than they could utter in a lifetime".

The scenario the show ultimately posits bears little resemblance to traditional sci-fi fare; the aliens are coming, but not for another four hundred years, putting humanity on notice for an encounter—and possibly a war—that’s many lifetimes away. This time span is as much a curse as a blessing. Forget the science for a second; what kind of political will—totalitarian or otherwise—is required to keep centuries of preparation on track? How do we get the über-rich to contribute to a new space race in a way that also flatters their egos? And what resources does it take to accelerate scientific discovery to a breakneck pace?

Boreing said: "your story is inaccurate to the point of being false," though he did not specify a single inaccuracy, nor did he deny that the Daily Wire had sought and obtained a gag order on Owens at the same time they were publicly posturing as wanting a debate with her. The confirmation we obtained of all these facts is indisputable. Boreing added: "I’m sure you can appreciate how fraught a high profile break-up like this is. For that reason, we are trying to resolve our issues with Candace privately."It certainly seems true that the Daily Wire is attempting to achieve all of this "privately." Nonetheless, Ben Shapiro has constructed his very lucrative media brand and persona based on his supposed superiority in debating, a reputation cultivated largely as a result of numerous appearances at undergraduate schools around the country where he intrepidly engages with students who are often in their teens or early twenties. Both Shapiro and the Daily Wire have also predicated their collective media brand on an eagerness to engage in free and open debate with anyone, and to vehemently oppose any efforts to silence people, especially those in media, from expressing their political views.

For situations with long documents or a lot of additional background content, Claude generally performs noticeably better if the documents and additive material are placed up top, above the detailed instructions or user query

When working with long documents (particularly 30K+ tokens), it's essential to structure your prompts in a way that clearly separates the input data from the instructions. We recommend using XML tags to encapsulate each document. This structure is how Claude was trained to take long documents, and is thus the structure that Claude is most familiar with

Handling the vast volume of AI-generated images still requires precise curation, adjustments, and post-production. The prompt is just a starting point. These images rarely manage to stand alone without context; layout, copywriting, and motion need to click in place, and the formula needs to be replicable to create a robust brand system. That’s the right moment to pull in multiple collaborators, bringing expertise and taste into play. It's good to have more time for that.

I use generative AI primarily for concepting and moodboarding. It helps clients imagine what their brand identity could look like. I save time browsing stock image libraries or trying to describe art direction concepts (“It would look like this illustration depicting a car, but it would actually show a jar of cream!”). AI-generated concepts then serve as a brief for skilled illustrators, photographers, and other creatives to build upon.

For early-stage companies, I often use AI-generated images because it's a cost-effective way of creating a library of differentiated visual assets that they otherwise wouldn't be able to afford to produce.

I mostly use Midjourney, TopazAI, Glif.app, Visual Electric, Krea, ChatGPT, Magnific, Adobe Firefly

Some images look like they were made under a robotic sugar high. Lots of warm colors, but they make everything look like candy… they’re so overly sweet that they give you visual diabetes..

Average AI images drag down everything around them. An AI hero image is a comedian opening the show with a knock-knock joke. Good images enrich your article, bad images steal its soul.

“The way he described ‘Challengers’ was on a one-sentence email,” recalls Ross. “‘Do you want to be on my next film? It’s going to be super sexy.’ Two x’s.”  “Luca said, ‘What if all the music was driving, thumping techno, like a heartbeat that makes the movie fun?’” adds Reznor.

Guadagnino brought them Challengers, which will be released this month. Reznor said, “He started us down a path, saying, ‘What if it was very loud techno music through the whole film?’ ” (This is exactly what it turned out to be.)“I wish I had his notes,” Ross said of Guadagnino. “His notes were so fucking funny on what each piece was meant to do.”“Oh, yeah,” Reznor said. “ ‘Unending homoerotic desire.’ It was all a variation on those three words.”

Tashi Duncan is exactly what we have been missing from our screens; a selfish, messy, calculated woman who wields her intelligence and sensuality as weapons. She’s a cheater, a woman unable to see beyond her own needs, who refuses to lie even when she could save someone the heartbreak of the truth — “unlikeable” by all standards. When her golden retriever malewife of a partner Art tells her he loves her, she simply looks over and purrs “I know” in response. It is coolly dismissive and self-assured in a way that we do not usually get to see Black women behave onscreen.

Tashi Duncan is too formidable a character to be pushed around, least of all by white stans who don’t know what it means to strive beyond the approval of men. The story underneath all the tennis is about Tashi’s heartbreak, the mourning over the loss of her career and the identity it gave her and how she forges ahead anyway.

in every charged moment we see between Patrick and Art, Guadagnino makes it clear that the center of their connection is Tashi. Even the now infamous churros scene revolves almost entirely around Tashi. Patrick says that he likes seeing Art riled up, that he enjoys seeing him willing to connive and fight for something — even if that thing is his girlfriend. Even their lust for one another is moderated by her, unleashed by her. They would have stayed perfectly content meandering in suggestion if she had not forced them to confront their attraction for one another tongue-first in that bedroom scene.

Tashi Duncan is a woman so in control of herself that even in her greatest moment of heartbreak — sitting alone under a tree with an injury that has ruined her chance at doing the only thing she knows how to do — does not allow herself to break. Zendaya’s portrayal of her is glorious here. You watch the hurt, pain, grief, anger, and then finally resolute determination pass over her face as she makes her choice. She will not mope. That moment makes the woman we meet years later, who tells her husband that her love is absolutely conditional on his success as a player.

Tashi Duncan is utterly unique, a manifestation of a particular kind of female rage that makes her hard to forget or even fully hate. It’s what makes the boys so obsessed with her.