If we understand punk as an heir to longstanding traditions of resistance, this will explain its persisting importance to anarchism.
What is a punk band, after all, but an affinity group with guitars?
“PUNK ROCK EQUALS ANARCHY PLUS GUITARS AND DRUMS. ANYTHING LESS IS JUST SUBMISSION.”
-Italian Punk
This subculture has to be inclusive—and not just in the superficial sense associated with the liberal politics of representation. Rather than just preaching to the converted, it should draw in people from a wide range of backgrounds and politics. We want to reach the same young folks who are going to be targeted by military recruiters, and we want to reach them first. Sure, that will mean rubbing shoulders with a lot of people who are not anarchists—it will mean a big messy stew of different politics and conflicts and contradictions—but the goal is to spread anarchism, not to hide out in it. Get everyone together in a space premised on horizontality, decentralization, self-determination, reproducible models, being ungovernable, and so on and let them discover the advantages for themselves.
The most important thing is the participation of those who are poor, volatile, and angry. Not out of any misguided notion of charity, but rather because the so-called dangerous classes are usually the motor force of change from below. The self-satisfied and well-behaved lack the risk tolerance essential for making history and reinventing culture.
Picture a self-education society without instructors, ranks, or lesson plans. Teenagers will teach themselves to play drums by watching other teenagers play drums. They won’t learn about politics in dusty tomes, but by publishing zines about their own experiences and corresponding with people on the other side of the planet. Every time well-known musicians perform, musicians who are just getting started will perform, too. Learning won’t be a distinct sphere of activity, but an organic component of every aspect of the community.
From the beginning, punks took great pains to distinguish themselves from hippies; in retrospect, punk was everything hippie that couldn’t be domesticated and commodified.
Punk caught on among the forerunners of today’s superfluous workforce at a time when the futureless were still a bitter, isolated minority. It was the song of the canary in the coal mine.
All the shortcomings punks identified in the unidirectional capitalist media of the late 20th century (“Kill your television!”) inform the participatory capitalist media of our own day. Who needs to go to band practice when you can make a video on your smart phone and post it to Tik Tok immediately? Do it yourself!
Punk combines the engaging agitprop and global networks of 21st-century cultural movements with the longevity of pre-internet political formations.
Let’s imagine the ideal cultural vehicle for anarchism.
“Today, in the anarchist movement, we sometimes miss the Dionysian spirit that characterized the hardcore punk underground at its high point: the collective, embodied experience of dangerous freedom. This is how punk can inspire us in our anarchist experiments of today and tomorrow: as a transformative outlet for rage and grief and joy, a positive model for togetherness and self-determination in our social relations, an example of how the destructive urge can also be creative.”
-“Music as a Weapon: The Contentious Symbiosis of Punk Rock and Anarchism”