Fictional Worlds

Dear Aunt Harriet, If you’re reading this note it means you survived. That’s wonderful news: I always loved you the most. The notes I sent out with Aunt Anita and the cousins are friendly letters, I promise, us being kin and all, and I surely hope they survive too. But I’m happiest about you.

The seven siblings sit in a place beyond the boundaries of space and time, where everything is made of stories. Even them. Especially them. People are made of stories too, but only the versions of their stories that they tell themselves. Curated, limited, incomplete. Many of the stories people tell themselves are lies layered on partially-perceived things to give their lives structure and meaning. The siblings that sit beyond sit true, for they are made of all the stories that were, that are, that are to come.

The difficulties of transporting wine over interstellar distances are manifold. Wine is, after all, like a child. It can bruise. It can suffer trauma—sometimes the poor creature can recover; sometimes it must be locked up in a cellar until it learns to behave itself. Sometimes it is irredeemable. I ask that you greet the seven glasses before you tonight not as simple fermented grapes, but as the living creatures they are, well-brought up, indulged but not coddled, punished when necessary, shyly seeking your approval with clasped hands and slicked hair.

He was standing absolutely still by a service port, staring out at the belly of the Orion docking above us. He had on a gray uniform and his rusty hair was cut short. I took him for a station engineer.

Let the world tell all the lies it wants; I was there in the Year of the Children, and I know the truth. This is how it happened.

So I guess the story begins, fittingly, with someone handing me a Coma rig and saying, play me. Two a.m. and I’m at this party in somebody’s trailer out in the trashy part of town. via Pocket Coma Kings - Lightspeed Magazine via Instapaper https://ift.tt/1nMLaIV