Dear Aunt Harriet, If you’re reading this note it means you survived. That’s wonderful news: I always loved you the most. The notes I sent out with Aunt Anita and the cousins are friendly letters, I promise, us being kin and all, and I surely hope they survive too. But I’m happiest about you.

The difficulties of transporting wine over interstellar distances are manifold. Wine is, after all, like a child. It can bruise. It can suffer trauma—sometimes the poor creature can recover; sometimes it must be locked up in a cellar until it learns to behave itself. Sometimes it is irredeemable. I ask that you greet the seven glasses before you tonight not as simple fermented grapes, but as the living creatures they are, well-brought up, indulged but not coddled, punished when necessary, shyly seeking your approval with clasped hands and slicked hair.

The seven siblings sit in a place beyond the boundaries of space and time, where everything is made of stories. Even them. Especially them. People are made of stories too, but only the versions of their stories that they tell themselves. Curated, limited, incomplete. Many of the stories people tell themselves are lies layered on partially-perceived things to give their lives structure and meaning. The siblings that sit beyond sit true, for they are made of all the stories that were, that are, that are to come.

Muna shuts the storeroom door as quietly as she can. Holding a just-waxed bundle of letters to her chest, she sticks out her head to check the bookshop floor. If she walks between the shelves on the far right, she can slip out unnoticed in ten heartbeats. The main door of the bookshop is propped open, the sun shining after what feels like a year of sodden clouds and sludged streets---she can’t wait to feel its warmth on her skin.

The backdrop of the greatest concert performance of all time was catastrophic solar behavior that devastated the Tau Ceti system in 4032, knocking the technology of the three inhabited planets to the stone age and putting fourteen billion sentient beings in peril. Of course the news swept the United Systems and generated an outpouring of grief, support and promises of aid, but promises fell short and soon people moved on to other stories.

He was standing absolutely still by a service port, staring out at the belly of the Orion docking above us. He had on a gray uniform and his rusty hair was cut short. I took him for a station engineer.

It was an apocalyptic sector. Out of the red-black curtain of the forward sight-barrier, which at this distance from the Frontier shut down a mere twenty metres north, came every sort of meteoric horror: fission and fusion explosions, chemical detonations, a super-hail of projectiles of all sizes and basic velocities, sprays of nerve-paralysants and thalamic dopes.

Let the world tell all the lies it wants; I was there in the Year of the Children, and I know the truth. This is how it happened.

The locker room is always tense before a game. Alisa is trying to get her uniform to stay in place, counting more on safety pins and prayer than she probably should, and Birdie—true to her name—keeps whistling, which is probably going to get her slapped if she doesn’t stop soon. Cram twenty girls from opposing squads into one small space and tensions are going to flare.

The smell of damp steel assaults my nose as I walk the hall, uncomfortable boots clumping heavily with every step I force myself to take. The space is tight, confined, unyielding; it is like living inside a coral reef, trapped by the limits of our own necessary shells.

Female spotted owls have a call that doesn’t sound like it should come from a bird of prey. It’s high-pitched and unrealistic, like a squeaky toy that’s being squeezed just a little bit too hard. Lots of people who hear them in the woods don’t even realize that they’ve heard an owl. They assume it’s a bug, or a dog running wild through the evergreens, beloved chewy bone clenched tightly in its jaws.

Mist flowed through the Tulgey Wood like treacle, slow and thick and unyielding. Squeaks and muffled chitters came from the underbrush as rabbits, foxes, and adolescent toves that hadn’t sensed the weather changing were caught and drowned in the gray-white mire. It would clear by noon, burnt off by the sun, and then the scavengers would come, making a feast of the small mist-struck creatures.

It is customary to begin one’s memoirs at birth. As I was not “born” in the gross mammalian sense, I shall begin instead at a more logical point in time. To wit: I was borne to Earth on cosmic winds, falling through chance and the grace of the heavens to root in the soil of Notting Hill. There I grew rapidly to adult stature, devoured a lady’s maid who had the misfortune to come too close to my tendrils, and assumed her form.

The dragonfly hung in the thick, humid air like a jeweled miracle, wings beating so fast that they became a blur. Its body was an oil slick of shifting colors, greens and blues and purples, blending together in patterns that would have seemed garish if they hadn’t been natural. It had a cocker spaniel clutched in four of its six legs.

The tower is a black spire upon a world whose only sun is a million starships wrecked into a mass grave. Light the color of fossils burns from the ships, and at certain hours, the sun casts shadows that mutter the names of vanquished cities and vanished civilizations. It is said that when the tower’s sun finally darkens, the universe’s clocks will stop.

A faint, steady vibration carried through the igloo’s massive ice walls—a vibration that shouldn’t have been there. Jayne heard it in her sleep. Age had not dulled her soldier’s reflexes, honed by decades spent on watch against incursions of the Red. Her eyes snapped open. She held her breath.

He felt death coming a moment before it struck. In the lingering gray twilight, Smoke lay on his bedding, eyes not quite closed and mind adrift, only half-aware of the sounds of the encampment around him: steel on whetstone, the rattle of dice, a soft song, and loud bragging.

“Valdez, you need to slow down,” Karin Larsen warned, each syllable crisply pronounced into a mic. “Stay behind the seekers. If you overrun them, you’re going to walk into a booby trap.”

The demon, like all the others before it, appeared first in the form of a horizontal plume of rust-red grit and vapor. Almost a kilometer away, it moved low to the ground, camouflaged by the waves of hot, shimmering air that rose from the desert hardpan. Lieutenant Matt Whitebird watched it for many seconds before he was sure it was more than a mirage. Then he announced to his squad, “Incoming."

“Go away, Todd. We’re busy,” Larry said. “Besides, you’re wasting your time. You know she only likes to fuck imaginary people.” “That’s because she hasn’t tried the real deal,” Todd said. “And that would be you?” Larry asked. Col yawned ostentatiously at Todd, but he didn’t take the hint. He was thick that way. There was hardly room for two people in the cubicle Col shared with Larry.

Always had the sages known that they would come. The first princess, in her bed of jewels and smelted gold, had dreamt of them; dreamt their terrible faces, their terrible claws, their endless hunger that is greater than the mountain and deeper than the deepest-diving seam. She had wept in the night, to have such dreams, and some say that her death---as the deaths of all princesses since her---came hard and early, because she could not know the peace of slumber.

We have traveled here, to this most innocuous of country landscapes, to make good on a promise made by my grandfather, Carlton Whitmore, to a girl he loved in his youth. How foolish that sounds, writ down so! But it is true. Grandfather met her on the banks of the Bolton Strid, where she stood naked and confused, water drying on her skin. His notes state that she knew no modesty, and that “she was pale as the belly of a deep-river fish."

Tasha’s avatar smiled from the screen, a little too perfect to be true. That was a choice, just like everything else about it: When we’d installed my sister’s new home system, we had instructed it to generate avatars that looked like they had escaped the uncanny valley by the skins of their teeth. It was creepy, but the alternative was even creepier. Tasha didn’t talk. Her avatar did. Having them match each other perfectly would have been . . . wrong. “So I’ll see you next week?” she asked.

A child will tell you, if asked, and if they are in the mindset to answer questions as they are posed and not as the child’s mind would have them interpreted---for the ears of children seem to work differently than the ears of adults, to be tuned to a different set of sighs and susurrations, not to the clean consonants and simple constructions of the adult vocabulary, and the answers of children are often similarly distorted.

I’d always known Calam would run. He had all the signs. A taut restlessness, body brittle as an overstretched lute string, when we stayed too long in one place. A gloom in his eyes, as we drifted through stretches of dead space. A sullen crease between the brows, whenever I tried to ask how he’d landed in that dead-end Martian workshop at seventeen. But after ten years, why now?

I knew she was there. Lenet believed she was stealthy, and would perhaps have been correct, had I not been the cat of the Duke’s Theatre for four long years. All the sounds that grand old building could make were known to me . . . including the sound of a barefoot Cait Sidhe girl stalking the rafters like the ghost of Hamlet’s father. The footsteps stopped above my head. “Rand,” Lenet hissed, voice pitched low to keep it from carrying to the audience below.

It’s only after they’ve loaded the moving truck halfway with boxes that the parents finally notice Parker’s gone. They spend three days yelling for him. Mom waits the longest, wanders the farthest into the forest in the dark. Her voice is a plea, an agonized howl, an echo of the day Eli closed his eyes and never opened them again. “Parker,” she cries, “Come on, be a good boy. Please.”

Her name, this time, is Marisol Lysium Brook. The media, long bored with the minutiae of her death, occupies itself by speculating which stars will grace the guest list at her reconstruction gala.

Witchcraft is a gift. Imelda would wave her steel spoon at Mercer and insist on this as he measured ingredients for her, whether she was boiling potions or a pot of farfalle pasta. Watch the salt, a teaspoon only, never pour too much. Don’t overheat the sauce. Bottle the hawks’ gizzards separate from the basilisks’. Never half-ass a gift, Mercy. Her perpetual imperative. Mercer is alone now. His hands are unsteady---they’ve shaken like a drunkard’s since they held Imelda as she passed---and he is no witch.

Don’t sell her. The thought rises like a tide in the back of Jeri’s mind, where she’s spent three Nikutan launch cycles struggling to contain it. It leaves her breathless, drowning in guilt, and trying to hide it from the krosuta-whitened stare of the Henza abbess. This is Cleo, not a load of ore. This will break her. And how could it not break her? She’s a lumbering old Juno-class cargo beast, poor Cleo, one of the earliest models.