Until a year later my master found the sculpted head I had made of him, and he flew into a rage. He was angry despite the quality of the sculpture, I thought then, already knowing enough to know that I had done it well, that the face was a likeness and the intent had been passionate. He was angry, I understood later, because of the quality.

And it didn’t matter. This was not my blood; it was but part of glamorous transfiguration. I was beautiful, or I believed I was. What did it matter, the beauty a woman was born with, my long fair hair that was now a wooden horse’s mane, my hands and feet that had once moved in the dance so skilfully? Beauty was a construction, a blueprint geniuses dictate to mere mortals who could not know for themselves what it meant.

I was a plant in the crowd to drum up excitement. Boss stayed in the tent all show and gasped during the finale when Elena "fell" and only caught herself by one foot in the very last second. I could hardly keep from laughing at the rubes that panicked and then applauded three times as loud as they would have if it had all been perfect. Elena and the others had Boss's copper bones—what could happen to them that couldn't be mended?

Why an armed man should have been the one worrying, she never explained, but I had seen the tumblers tossing one another in the air and the strongman lifting all six dancing girls on his outstretched arms like they were no heavier than a pair of sleeves. I could guess what would happen to anyone who was caught out.

There are clankers and buzzers out during the bright hours of the day but the hidey hole is safe and I much desire to drink myself into blackness with a flask of the grog I trade for but I have my daughter with me and a man cannot live who loses his daughter due to insensibility or slowness of reaction. I shiver and sweat all day long and the sound of the clankers makes my blood boil with fury and despair and that is a most helpless kind of combination.

Aidan's color had worsened overnight, and one of his ears had sloughed off, replaced by shiny grey scar tissue. His eyes were the only part of him still fresh and wonderful. He smiled at me when he woke and saw me examining him. “Morning.” He coughed and spit a tooth into his palm. “Sorry.”

Katherine's hands found the button at the throat of her dress, and she unstrung the tiny loop that kept it fastened. I gazed at her milk-white skin and swallowed. Katherine laughed. Her fingers flew down the front of her dress like birds, shedding waves of fabric with every motion. She stepped out of the pile of material at her feet and stood naked before me.

Grampa huddled inside, exposed in the corner. Bark and Thorn crouched next to him covering their faces. The gleaner struck—one-two—and in less time that it took to draw a breath, Grampa and Thorn were trussed and thrown over the gleaner's back like sacks of meal. Bark, the bravest of my littermates, whimpered and dodged out of sight into the yard behind the house. The gleaner stepped forward and raised its serrated front legs.

I’m not even sure what "her moonblood" means, only that it means the moment when the girl's wolf-colored hair cascades into velvet pelt. I can't stop thinking about the way she moves, so quick and lithe. She could cross the room in one leap.

Only as the song nears its end do I risk a glance at my audience. I see a movement behind Dr. Mesmer’s head. For a moment I think it is a trick of the doubled mirrors, that I’ve caught a glimpse of myself reflected from the other room. But reflections do not wear strange clothes. The man stands in the back of the room. His eyes are closed, and his jacket is torn. His head is bleeding.

She opens the jar to find herself on a Himalayan plain, in a time before humanity has discovered this place. The air here is cold, pinks her cheeks. She picks her way toward the pomegranate trees which line the foothills and opens a wide-mouth jar. Two pomegranates will fit inside, little else. She twists the lid into place then sinks into the dark soil at the base of the trees. If she keeps still, the sunlight sinks through her and she hears only the wind.

This task had not been set to us but to him. How long might one live if they denied a god? Susanoo could not drown me in these waters, nor could a blade pierce my heart, but he commanded all of Yomi, and what tortures he might devise there I did not wish to know.

'Twas Abigail who answered, standing some way across the deck. It sounded like the entire crew took a collective breath at the sight of her. Water streamed from her now ill-fitting gown. It seemed as though she was coming apart, becoming water as she crossed to us. Through corset and skirt, it drenched her.

Wherever he traveled, Vasily saw vast networks of lines—across the ground, stretching into the sky. It was the sky-bound lines that pulled at him most, that beckoned him to try his feet upon them. He had always strung ropes and wires to climb, between poles, trees, and buildings, but the lines that he had not strung—lines that existed of their own accord—were a challenge he never expected.

The turntable is three feet around, enough to hold us and whatever Jackson means to display us with. Once he assembled a collection of taxidermied two-faced cats at our feet, mounded so high they constantly spilled over the edge; once it was a school of Fiji mermaids dangling on silver wires. They moved as we moved, nauseating in effect. Usually, as now, it is the frame of a cheval glass, within which we stand.

Once home, I cannot stop thinking about two things: the bird and the poster. I am not sure which one disturbs me more. I don't tell anyone, not even Gordon. He doesn't speak to me of what we saw either, but there is still a conversation there, every time we look at each other. In his eyes I see the same thing that must linger in mine. Questions and hurts. Have we been made only to be sold?

She looked dead, as well she would be if she were anything else. Only a powerful magus could live without a soul. But even Khatereh needed the touch of her soul once in awhile; on midsummer day, as was her personal tradition, she would let it rest within her and be renewed. With her soul inside her body, she would be as vibrant and beautiful as a twenty-two year-old sister ought to be, and when it was removed she would look healthy again, for a while.  

“You?” I stood, furious, and as I did the red brazier-light glinted on something behind the throne that I could not see. “Did you not have enough of father’s blessings while he lived? He gave you gifts, and horses, and talked of the great kingdom you would inherit. Meanwhile I sat in your shadow and the heap of your scorn. No, brother. For this once I will have something that you have not had first.”

Abe experienced the odd sensation of Madame Oljon inside his head aligning her face with his, pushing eyes and lips forward past his own as they both stared at the small figure near the center of the room sitting cross-legged on a high cushion, naked save for a loincloth, smiling idiotically (not unlike, Abe thought, the wizard Philoneus’s own idiotic smile).

“Is that all you have?” Henry yelled at the locomotive. He kicked its hot firebox, and its whistle screamed at him, steam shrieking from the full boiler. “That’s right!” he shouted back. “Shake me. Come on, you ugly bastard. Shake me!” The train, spitting a thick spume of greasy smoke, hurled itself down the far side of the mountain.

I chuckled, cracked open my pistol’s cylinder, and loaded it with the wooden ammunition. “Don’t worry, my dear,” I said, and tucked the gun in my waistband. “There’s plenty of time before sunrise.”

Beatrice smiled; it was brittle and wavering. It reminded Mona of the first tentative rays of sunlight emerging on the end of winter. How they came through the windowpanes all watery and uncertain. It had been just the two of them for so long, Mona realized.

“Miss Em?” Florence called softly from the doorway. The woman—perhaps it was a woman—in the bed was fragile and hollow as a teacup. Her white hair wisped and curled around her skull, and her eyes looked like stones dropped in deep snow. She opened her mouth and made a weak, kitten-ish sound. Florence nodded and bent to adjust the pillow.

Dr. Benjamin, he was running, running through the rain from one tent to another, trying to save his Story Eater and those pasty wax circles he’s spent so long collecting and, once, he looked up. Mala was sitting there on the top of the sea wall. She wasn’t wearing a rain slicker or even shoes and she was just looking at him like he was a rat, like he was a bug. Like he was something with too many eyes and too many legs and all she wanted to know was what ridiculous thing he was going to do next.

Otranto didn't hesitate. On some level, he realized, he had been anticipating this moment, or one like it, for a very long time. "The punishment for failure should be death by my own hand."

The garrote was made of fine silk laced with steel wire, designed to choke bloodlessly. Its ends were looped to small grips of cherry wood. Otranto had crafted it himself over a period of three weeks, designing for speed and efficacy. Still, the target was thrashing hard enough that the smooth handles were biting his palms. He drew harder.

From this window, we watched the man’s whip rise again and the back hoof of the mare collide with his thin throat in the same instant. The man crumpled down into the festering street as gouts of blood spouted from his neck. No one came to claim his body. Below us in the alley, rats and dogs or rat-sized dogs emerged slowly. They began to sip at the red puddles around him.

The Prodigy scampered forward at once and sat before the pipe organ’s keyboards. Kreisler was with him. Together they began to play, calling the automata back to their city. Just as we had planned. And I, I ran after the Clockwork King, driven, as ever, by the thought of Olympia. For I had more that I would know.

As Alana approached, a single beastman detached himself from the crowd. He was larger than the others and wore only a long, red tabard that left his huge arms bare. His lower jaw protruded far beyond his upper, giving him a pugnacious look, yet his black hair was meticulously combed, shot through with braids ending in red beads. A three-fingered hand rested on the hilt of an oversized longsword.

If Lady Percivalia loved the cinematographist in her chaste way—and she thought despite all propriety that the rising, fluttering, tremulous sensation she felt when she looked at him might be a kind of love—then she loved him because he had brought her the shapes and shadows of creatures that dwelled outside the confines of her life.