.SUSS

But unlike LLMs, the music industry has copyright law to enforce the temporary halt of new training models (at least in those areas where it is enforceable). So what if the UMG-attempted halt of new generative AI training allows us to take a step back and try to get an objective perspective on recent developments? This is something that is not possible with LLMs, because training data is so much more accessible and less controllable. Which is the reason people have to write open letters in the first place – a strategy which has somewhat questionable expectations of success.

To realize the power of artificial intelligence to extract value from music catalogues, you need to understand how AI-driven curation works.

It’s become obvious that winning that market means being the best data repository (warehouse, data lake, data lakehouse) AND the place where enterprises do all their data science and ML/AI work.