Women in Media Arts: Does AI think like a (white) man?
"Women in Media Arts" is an Ars Electronica database specifically dedicated to women in media arts. In this series, we introduce you to female media artists and their work, starting with the question: Does AI think like a (White) man?
Tällainen on Suomen ensimmäinen tekoälyn tekemä kuunnelma – kone on luonut myös uusia kieliä: tuleeko taiteilijasta jo tarpeeton?
Tekoälyä on viime vuosina käytetty erilaisissa kuva- ja äänitaiteellisissa kokeiluissa, ja Suomessa on tehty ensimmäinen kuunnelma, johon tekoäly on tehnyt dialogin.
Ohjaamaton koneoppiminen ja tekstintulkinnan objektiivisuus
(cc) pstiegele @Pixabay Ohjaamattomat koneoppimismenetelmät ovat viime vuosina saaneet paljon suosiota yhteiskuntatieteellisessä tekstianalyysissa. Aineistoa automaattisesti jäsentelevän ohjaamatto…
“Leaning Tower of Pizza”, BigGAN steered by CLIP using Big Sleep I wrote earlier about DALL-E, an image generating algorithm recently developed by OpenAI. One part of DALL-E’s success is another algorithm called CLIP, which is essentially an art critic. Show CLIP a picture and a phrase, and it’ll return a score telling you how well it thinks the picture matches the phrase. You can see how that might be useful if you wanted to tell the difference between, say, a pizza and a calzone - you’d show it a picture of something and compare the scores for “this is a pizza” and “this is a calzone”.
Humans of AI is an online exhibition comprised of three works based on the COCO image dataset. Without legal precedent, the data by which machine learning algorithms learn to make predictions is hardly ever shown, let alone credited. By doing both, Humans of AI exposes the myth of magically intelligent machines, instead applauding the photographers that made this technical achievement possible. In fact, when showing the actual training pictures, credit is not only due but mandatory.