Michael, Fi and Sam banter over the morning news, in which they figure prominently after foiling a bank heist. Highly enjoyable, sounds just like the show.
After a plague decimates the US, Michael finds himself basically running post-apocalyptic Miami. Very cool story. Could use a good beta - there are some inexplicable typos and tense issues, but not enough to stop me from reading and enjoying.
AU where Sam and Dean are conmen (well, for a living, not to pay for hunting) and Sam has a really frustrating crush on Dean and then Bela enters the picture and hilarity ensues. (Wincest)
"You got quite the rumble in the engine there, big guy. Oh yeah, that feels good, doesn't it." Sam could feel the tips of his ears start to heat up. His brother was on his lap being felt up by a state trooper. Okay, his brother was currently a cat but somehow that didn't help. Dean gets turned into a cat. Hilarity ensues. Well, hilarity for us. After the first few minutes, Sam's not really laughing.
I Don't Know Why Sometimes I Get Frightened by shaye
Luke and Lorelai attempt to go on a date. It goes about as well as can be expected. Adorable and sounds just like them. "I think," Lorelai panted as Luke's hand snaked under the hem of her spaghetti-stained top, "maybe we should just skip the dating and go straight to the kissing next time."
"Well how was I supposed to know, Sammy? It was pie! A hot chick giving away free pie!" // "Free evil pie." // "Pie, Sammy," protests Dean, plaintively. "Pie!" he sounds like he's been betrayed by his one true love. Utterly adorable.
hearseeno: Mirror Mirror on the Wall: The Siren's Call
At first glance, the myth of Hyacinthus, with its tale of love, obsession and murder, reflects on the Siren of Sex and Violences capacity to impel a lover to kill that which he most loves. The Death of Hyacinthus True, the Siren is jealous of the kind of devotion that comes with a deep and…
Latchkey Hero: Masculinity, Class and the Gothic in Eric Kripke's Supernatural by Julia M. Wright
Supernatural renders class difference and working-class alienation in gothic terms. "Overcompensating" through masculine performance for a childhood trauma tied to downward class mobility, a gun-toting hero who is chastised by powerful male figures for his pathologically low self-esteem, Dean Winchester functions as the site at which popular depictions of class and masculinity unravel
She’s not sure what she’s doing here with them, now, because there’s no real reason to be. There isn’t anything on her radar for now, and they don’t have a job that needs her kind of help. If she’s honest with herself, she’s here to be near them, mostly Sam, but she’s never been good with honesty, anyway. Ruby, and her place, or lack of one, with Sam and Dean. Sharp and heartbreaking. (Sam/Ruby, Dean/Ruby, Sam/Dean)
Bite me, Cthulhu. Sam and Dean hunt a sea monster, but what makes this story is the lovely Lovecraftian narration. (Wincest, which feels completely unnecessary, but it's g-rated so...)