Modern Art
VW Recherche
Paul Gauguin | The Siesta | The Metropolitan Museum of Art
[possibly Ambroise Vollard, Paris, by 1909]; Alphonse Kann, Paris (by 1917; until 1918; one of twenty-eight works sold in April for 635,000 Danish kroners [this work valued at 100,000 Danish kroners] to Hansen); Wilhelm Hansen, Ordrupgaard, near Copenhagen (1918–23; acquired by him through a consortium consisting of Hansen, Herman Heilbuth, and their firm, Winkel and Magnussen; sold in February 1923 through Galerie Barbazanges, Paris, for Fr 100,000 to Matsukata); [baron] Kojiro Matsukata, Kobe (1923–d
James Tissot | Spring Morning | The Metropolitan Museum of Art
For a century until Spring Morning reappeared at auction in 1981, its composition was known only through the related drypoint (see Notes). It was common practice for Tissot not only to repeat his paintings as etchings, but to re-use and re-combine figures, motifs, costumes, and compositions
Beach Umbrellas at Blue Point | Smithsonian Institution
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Weber and Fields | Smithsonian Institution
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Kohada Koheiji, from the series "One Hundred Ghost Tales (Hyaku monogatari)" | The Art Institute of Chicago
Katsushika Hokusai, c. 1831
Eleanor Woodruff | Smithsonian Institution
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Buffalo Scene | Smithsonian Institution
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Grand Canyon | Smithsonian Institution
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Child | Smithsonian Institution
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Cubist Analysis | Smithsonian Institution
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Court of the Dances, Alcázar, Sevilla (The J. Paul Getty Museum Collection)
Court of the Dances, Alcázar, Sevilla (The J. Paul Getty Museum Collection); 1910; Joaquín Sorolla y Bastida (Spanish, 1863 - 1923); Oil on canvas; Unframed: 95.3 × 63.5 cm (37 1/2 × 25 in.);
[Cheyenne Man] [Waiting in the Forest - Cheyenne] (The J. Paul Getty Museum Collection)
[Cheyenne Man] [Waiting in the Forest - Cheyenne] (The J. Paul Getty Museum Collection); 1910; Edward S. Curtis (American, 1868 - 1952); Cyanotype; Image: 19.9 × 14.7 cm (7 7/8 × 5 3/4 in.);
Painting with Troika | The Art Institute of Chicago
Vasily Kandinsky, January 18, 1911
Vase of Flowers
Jan Davidsz de Heem
On the Bank of the Seine, Bennecourt | The Art Institute of Chicago
Claude Monet, 1868