Abstraction: Blue, Yellow and Green | LACMA Collections
Abstraction: Blue, Yellow and Green, Marsden Hartley (United States, Maine, Lewiston, 1877-1943), United States, circa 1913, Paintings, Oil on canvas, During his first trip abroad Hartley felt closest to the German avant-garde, who shared with him a concern for the spiritual.
Portrait of Priest Pyeongwondang | LACMA Collections
Portrait of Priest Pyeongwondang, Unknown, Korea, Joseon dynasty (1392-1910), 19th century, Paintings, Panel, ink and color on silk, After the death of a Buddhist patriarch, his portrait was often painted to pay tribute to him.
Marigold (Kinsenka) and Rashomon Flowers, from the series "Collection of Plants for the Kasumi Poetry Circle (Kasumi-ren somoku awase)" | The Art Institute of Chicago
The street and sidewalks are empty; not a person, car, or even a stray dog is to be seen. What is the viewer supposed to see in this unpopulated street illuminated by glowing street lamps?
Ono Falls on the Kisokaidō Road(Kisokaidō Ono no bakufu), from the series Tour of the Waterfalls in Various Provinces (Shokoku taki meguri) | The Art Institute of Chicago
Whaling off the Coast of the Goto Islands (Goto kujira tsuki), from the series "One Thousand Pictures of the Ocean (Chie no umi)" | The Art Institute of Chicago
Stella believed that every day should "begin and end [with] the painting of a flower." The exotic plants he sketched in the Bronx Botanical Garden resurface in this imaginary scene of the Bay of Naples, drawn with the precision and love of nature that Ste
Curry created this painting of green pastures and fat cattle to reassure Americans worn down by the Dust Bowl years. A prize bull fills the canvas, grazing contentedly in meadows that fall away on all sides.
Download free image of Two veil goldfish (1926) by Ohara Koson (1877-1945). Original from The Rijksmuseum. Digitally enhanced by rawpixel. by Rijksmuseum (Source) about fish, ohara koson, japanese, japan, and japanese art 436469