"A powerful and needed collection of essays by accomplished women writers on violence and injustice toward Black men. The catalyst for a national conversation, this book shines a new light on the dangers Black men face daily, and the emotional toll anti-Black violence takes on the women who love them, casting a vision for future activism"--

"Narratives written by enslaved Africans in America are few in number. Some are transformative, like that of Harriet Jacobs; others are lesser, like the brief one attributed to Harriet's brother, John S. Jacobs. The revelation, here, of a much longer, richer, and more radical version of John's story, is a major historical event. His work is all the more significant for having been written and published in Australia, outside the sanitizing and bowdlerizing influence of the American Abolitionist movement. Jacobs's full account is a startling and clear expression of the true thoughts, words, and wide-ranging experiences of a man once enslaved"--

"In See Justice Done: The Problem of Law in the African American Literary Tradition, author Christopher Michael Brown argues that African American literature has profound and deliberate legal roots. Tracing this throughline from the eighteenth century to the present, Brown demonstrates that engaging with legal culture in its many forms-including its conventions, paradoxes, and contradictions-is paramount to understanding Black writing. Brown begins by examining petitions submitted by free and enslaved Blacks to colonial and early republic legislatures. A virtually unexplored archive, these petitions aimed to demonstrate the autonomy and competence of their authors. Brown also examines early slave autobiographies such as Olaudah Equiano's Interesting Narrative and Mary Prince's History, which were both written in the form of legal petitions. These works invoke scenes of Black competence and of Black madness, repeatedly and simultaneously. Early Black writings reflect how a Black Atlantic world, organized by slavery, refused to acknowledge Black competence. By including scenes of Black madness, these narratives critique the violence of the law and predict the failure of future legal counterparts, such as Plessy v. Ferguson, to remedy injustice. Later chapters examine the works of more contemporary writers, such as Sutton E. Griggs, George Schuyler, Toni Morrison, and Edward P. Jones, and explore varied topics from American exceptionalism to the legal trope of "colorblindness." In chronicling these interactions with jurisprudential logics, See Justice Done reveals the tensions between US law and Black experiences of both its possibilities and its perils"--

"Asian Americans have become the love-hate subject of the American psyche: at times celebrated as the model minority, at other times hated as foreigners. Wen Liu examines contemporary Asian American identity formation while placing it within a historical and ongoing narrative of racial injury. The flexible racial status of Asian Americans oscillates between oppression by the white majority and offers to assimilate into its ranks. Identity emerges from the tensions produced between those two poles. Liu dismisses the idea of Asian Americans as a coherent racial population. Instead, she examines them as a raced, gendered, classed, and sexualized group producing varying physical and imaginary boundaries of nation, geography, and citizenship. Her analysis reveals repeated norms and acts that capture Asian Americanness as part of a racial imagination that buttresses capitalism, white supremacy, neoliberalism, and the US empire. An innovative challenge to persistent myths, Feeling Asian American ranges from the wartime origins of Asian American psychology to anti-Asian attacks to present Asian Americanness as a complex political assemblage"--

"In Critical Wage Theory, Ruben J. Garcia argues forcefully that we must center the minimum wage as a tool for fighting structural racism. Employing the lessons of critical race theory to show how low minimum wages and underenforcement of workplace laws have always been features of our racially stratified society, Garcia explains why we must follow the leadership of social movements by treating increases in minimum wage levels and enforcement as matters of racial justice. Offering solutions that would benefit all workers, especially the immigrants and people of color most often made victims of wage theft"--

"Andrew Kahrl's enraging national assessment of legal and financial dispossession proves that African Americans property owners have long been beset by racist practices, invisible obstacles, and hidden traps that leave them vulnerable to economic predation. Kahrl focuses specially on how property taxes have been used to swindle African Americans out of their land, with the cooperation of public officials and courts. These racist regimes fund and reinforce inequity, with blacks paying more in taxes than whites as they lose tremendous inheritable wealth to whites. There is something more fundamental than the "forty acres" of settlement lore: the taxes on them" --

For much of its history, the death penalty in the United States has been framed as a tool of justice—a way to hold the most vicious criminals accountable for their heinous acts. Stories of grisly ...

The Minneapolis City Council on Monday approved an agreement with the federal government to overhaul the city's police training and use-of-force policies in the wake of the murder of George Floyd.

Explore Black-owned banks in America, including alternatives like credit unions, MDIs and CDFIs for underserved areas.

"From America's favorite government teacher, a heartfelt, inspiring portrait of twelve ordinary Americans whose courage formed the character of our country. In The Small and the Mighty, Sharon McMahon proves that the most remarkable Americans are often ordinary people who didn't make it into the textbooks. Not the presidents, but the telephone operators. Not the aristocrats, but the schoolteachers. Through meticulous research, she discovers history's unsung characters and brings their rich, riveting stories to light for the first time. You'll meet a woman astride a white horse riding down Pennsylvania Ave, a young boy detained at a Japanese incarceration camp, a formerly enslaved woman on a mission to reunite with her daughter, a poet on a train, and a teacher who learns to work with her enemies. More than one thing is bombed, and multiple people surprisingly become rich. Some rich with money, and some wealthy with things that matter more. This is a book about what really made America--and Americans--great. McMahon's cast of improbable champions will become familiar friends, lighting the path we journey in our quest to make the world more just, peaceful, good, and free"--

"Coates originally set off to write a book about writing, in the tradition of Orwell's classic Politics and the English Language, but found himself grappling with deeper questions about how our stories -- our reporting and imaginative narratives and mythmaking -- expose and distort our realities. The first of the book's three intertwining essays is set in Dakar, Senegal. Despite being raised as a strict Afrocentrist -- and named for Nubian pharaoh -- Coates had never set foot on the African continent until now. He roams the "steampunk" city of "old traditions and new machinery," meeting with strangers and dining with local writers who quiz him in French about African American politics. But everywhere he goes he feels as if he's in two places at once: a modern city in Senegal and a mythic kingdom in his mind, the pan-African homeland he was raised to believe was the origin and destiny for all black people. Finally he travels to the slave castles off the coast and touches the ocean that carried his ancestors away in chains -- and has his own reckoning with the legacy of the Afrocentric dream. Back in the USA he takes readers along with him to Columbia, South Carolina, where he explores a different mythology, this one enforced on its subjects by the state. He enters the world of the teacher whose job is threatened for teaching one of Coates's own books and discovers a community of mostly white supporters who were transformed and even radicalized by the stories they discovered in the "racial reckoning" of 2020. But he also explores the backlash to this reckoning and the deeper myths and stories of the community -- a capital of the confederacy with statues of segregationists looming over its public squares. In Palestine, the longest of the essays, he discovers the devastating gap between the narratives we've accepted and the clashing reality of life on the ground. He meets with activists and dissidents, Israelis and Palestinians -- the old, who remember their dispossessions on two continents, and the young who have only known struggle and disillusionment. He travels into Jerusalem, the heart of Zionist mythology, and to the occupied territories, where he sees the reality the myth is meant to hide. It is this hidden story that draws him in and profoundly changes him -- and makes the war that would soon come all the more devastating"--

"Ketanji Brown Jackson, the first Black woman ever appointed to the Supreme Court of the United States, chronicles her life story and her extraordinary path to becoming a jurist on America's highest court, in her inspiring, intimate memoir. In this unflinching account, Justice Jackson invites readers into her life and world, tracing her family's ascent from segregation to her confirmation as a Supreme Court Justice, within the span of one generation. Named 'Ketanji Onyika,' meaning 'Lovely One,' based on a suggestion from her aunt, a Peace Corps worker stationed in West Africa, Justice Jackson learned from her educator parents to take pride in her heritage. She describes her resolve as a young girl to honor this legacy and realize her dreams: from hearing stories of her grandparents and parents breaking barriers in the segregated South, to honing her voice in high school as an oratory champion and student body president, to graduating magna cum laude from Harvard, where she performed in musical theater and improv and participated in pivotal student organizations. Here, Justice Jackson pulls back the curtain, marrying the public record of her life with what is less known. She reveals what it takes to advance in the legal profession when most people in power don't look like you, and to reconcile a demanding career with the joys and sacrifices of marriage and motherhood. Through trials and triumphs, Justice Jackson's journey will resonate with dreamers everywhere, especially those who nourish outsized ambitions and refuse to be turned aside. This moving, openhearted tale will spread hope for a more just world, for generations to come"--

Born into poverty in rural Alabama, Lewis would become second only to Martin Luther King, Jr. in his contributions to the Civil Rights Movement. He was a Freedom Rider who helped to integrate bus stations in the South, a leader of the Nashville sit-in movement, the youngest speaker at the 1963 March on Washington, and the chairman of the Student Nonviolent Coordinating Committee (SNCC), which he made into one of the major civil rights organizations. He may be best remembered as the victim of a vicious beating by Alabama state troopers at the foot of the Edmund Pettus Bridge in Selma, Alabama, where he nearly died. Greenberg's biography traces Lewis's life through the post-Civil Rights years, when he headed the Voter Education Project, which enrolled millions of African American voters across the South. The book reveals the little-known story of his political ascent first locally in Atlanta, and then as a member of Congress. Tapped to be a part of the Democratic leadership in Congress, he earned respect on both sides of the aisle for the sacrifices he had made on behalf of nonviolent integration in the South and came to be known as the "conscience of the Congress." Thoroughly researched and dramatically told, Greenberg's biography captures John Lewis's influential career through documents from dozens of archives, interviews with hundreds of people who knew Lewis, and long-lost footage of Lewis himself speaking to reporters from his hospital bed following his severe beating on "Bloody Sunday" in Selma. With new details about his personal and professional relationships, John Lewis: A Life is the definitive biography of a man whose heroism during the Civil Rights movement helped to bring America a new birth of freedom. --

"An illustrated edition of The 1619 Project, with newly commissioned artwork and archival images, The New York Times Magazine's award-winning reframing of the American founding and its contemporary echoes, placing slavery and resistance at the center of the American story. Here, in these pages, Black art provides refuge. The marriage of beautiful, haunting and profound words and imagery creates an experience for the reader, a wanting to reflect, to sit in both the discomfort and the joy, to contemplate what a nation owes a people who have contributed so much and yet received so little, and maybe even, to act. --Nikole Hannah-Jones, from the Preface. Curated by the editors of The New York Times Magazine, led by Pulitzer Prize-winning journalist Nikole Hannah-Jones, this illustrated edition of The 1619 Project features seven chapters from the original book that lend themselves to beautiful, engaging visuals, deepening the experience of the content. The 1619 Project: A Visual Experience offers the same revolutionary idea as the original book, an argument for a new national origin story that begins in late August of 1619, when a cargo ship of enslaved people from Africa arrived on the shores of Jamestown, Virginia. Only by reckoning with this difficult history and understanding its powerful influence on our present can we prepare ourselves for a more just future. Filled with original art by thirteen Black artists like Carrie Mae Weems, Calida Rawles, Vitus Shell, Xaviera Simmons, on the themes of resistance and freedom, a brand-new photo essay about slave auction sites, vivid photos of Black Americans celebrating their own forms of patriotism, and a collection of archival images of Black families by Black photographers, this gorgeous volume offers readers a dynamic new way of experiencing the impact of The 1619 Project. Complete with many of the powerful essays and vignettes from the original edition, written by some of the most brilliant journalists, scholars, and thinkers of our time, The 1619 Project: A Visual Experience brings to life a fuller, more comprehensive understanding of American history and culture"--

The University of Arizona Innocence Project has received a $1.5 million grant from the Department of Justice to enhance its efforts in investigating wrongful convictions, particularly through DNA evidence analysis.

The federal funding will support DNA evidence analysis, helping to overturn wrongful convictions and train future advocates in Arizona.

The passage of Prop 36 marks a return to harsher punishments for some drug and theft crimes. Advocates worry it will also lead to a surge in prison populations.

"In the midst of her groundbreaking career in the U.S. House of Representatives, Congresswoman Shirley Chisholm once declared, 'Everyone--with the exception of the black woman herself--has been interpreting the black woman.' Edited by the leading scholar dedicated to the study of Chisholm's legacy, Shirley Chisholm in Her Own Words gives readers a rare opportunity to engage with the Congresswoman's powerful ideas through the power of her own voice. The introduction by Dr. Zinga A. Fraser, Director of the Shirley Chisholm Project on Brooklyn Women's Activism and author of a forthcoming book on Chisholm and Black Congressional women's political legacy, provides insight into Chisholm's role as a public intellectual and Black feminist during the Civil Rights and Black Power era"--

"This book employs a narrative portraiture approach to recenter the stories of those involved in the Lau v. Nichols court case. It brings Chinese and Chinese American voices to the forefront, filling a significant gap in narration, representation and retrospective research"--

Tracking anti-CRT efforts introduced at the local, state, and federal levels.

By Cara Moore Lebonick | National Archives News ST. LOUIS, November 4, 2024 — On the 100-year anniversary of race riots erupting in the predominantly Black-populated and affluent Greenwood District

The Innocence Project works to free the innocent, prevent wrongful convictions, and create fair, compassionate, and equitable systems of justice for everyone. Founded in 1992 by Barry C. Scheck and Peter J. Neufeld at the Benjamin N. Cardozo School of Law at Yeshiva University, the organization is now an independent nonprofit. Our work is guided by science and grounded in anti-racism.

"...To understand contemporary antisemitism, Lappin argues, it is essential to recognize the way in which its antecedents have become deeply embedded in Western and Middle Eastern cultures over millennia. This allows hostility to Jews to cross political boundaries easily, left and right, in a way that other forms of racism do not. Combatting antisemitism effectively requires a new progressive politics that addresses its root causes. The New Antisemitism is crucial reading for anyone concerned with the social pathologies unleashed by our current economic and political discontents"--

"The 2020 global pandemic further underscored the need for justice and visibility for Black women. Despite occurring over two months earlier, the tragedy surrounding the killing of unarmed, Breonna Taylor at the hands of police seemingly went unnoticed until the murder of George Floyd. This volume encompasses diverse disciplines to examine the marginalization and erasure of Black women. It recognizes their experiences, highlights their remarkable contributions, analyzes the treatment of women of African descent worldwide, and instills hope in the face of systemic racial oppression. Scholars analyze themes such as socio-political ignorance and the intersectionality of race and gender discrimination. The collection of essays empowers, inspires and informs readers, as it pays homage to the life of Breonna Taylor and forms a part of the continuum of works that celebrate, illuminate, and educate about the importance of Black and African American women"--

"This groundbreaking book uncovers how anti-Black racism has informed and perpetuated anti-literacy laws, policies, and customs from the colonial period to the present day. A counternarrative of the history of Black literacy in the United States, the book's historical lens reveals the interlocking political and social structures that have repeatedly failed to support equity in literacy for Black students. Arlette Ingram Willis walks readers through the impact of anti-Black racism's impact on literacy education by identifying and documenting the unacknowledged history of Black literacy education, one that is inextricably bound up with a history of White supremacy. In illuminating chapters, Willis exposes, interrogates, and analyzes incontrovertible historical evidence of the social, political, and legal efforts to deny equal literacy access. Chapters cover an in-depth evolution of the role of White supremacy and the harm it causes in forestalling Black readers' progress; a critical examination of empirical research and underlying ideological assumptions that resulted in limiting literacy access; and a review of federal and state documents that restricted reading access for Black people. Willis interweaves historical vignettes throughout the text as antidotes to whitewashing the history of literacy among Black people in the US and offers recommendations on ways forward to dismantle racist reading research and laws. By centering the narrative on the experiences of Black people in the US, Willis shifts the conversation and provides an uncompromising focus on not only the historical impact of such laws and policies but also their connections to the present-day laws and policies. A definitive history of the instructional and legal structures that have harmed generations of Black people, this text is essential for scholars, students, and policymakers in literacy education, reading research, history of education, and social justice education"--

Candice Hammons' journey and the plight of her ancestors will become an exhibit by the African American Museum of Southern Arizona on October 17

The unknown architects of civil rights : Thaddeus Stevens, Ulysses S. Grant, and Charles Sumner-book

"From esteemed journalist and scholar Joshua Leifer, a definitive look at the history and future of American Jewish identity and community from the tipping point we are living in"--

A sobering account of a little-known crime against African Americans, and the insidious legacy of racism that reverberates today. From the aftermath of the Civil War through the dawn of World War II, under laws enacted specifically to intimidate blacks, tens of thousands of African Americans were arbitrarily arrested, hit with outrageous fines, and charged for the costs of their own arrests. With no means to pay these "debts," prisoners were sold as forced laborers to coal mines, lumber camps, brickyards, railroads, quarries, and farm plantations. Thousands of other African Americans were simply seized and compelled into years of involuntary servitude. Armies of "free" black men labored without compensation, were repeatedly bought and sold, and were forced through beatings and physical torture to do the bidding of white masters for decades after the official abolition of American slavery.--From publisher description

"An intelligent machine built to study methods of social warfare struggles to understand and communicate the lived experience of race In a narrative full of social significance and poetically decorated with monks, vampires, and mythical statistics, Race in the Machine presents a world where the stories we use to explain race all simultaneously exist, within and around us, dictating our interactions and innermost beliefs. The nameless protagonist, an enigmatic social mechanic at Nearbay Institute, living in a population of socially connected intelligent machines, encounters a simple query in the context of an introductory lecture: "What exactly is race? And what is it in the context of the social machine?" This prompt guides the protagonist along a twisting intellectual tale surrounding a series of experiments which explore: How many racists does it take to create systems of inequality? What role do non-racists actors play in upholding them? How is bias learned? How does it spread? The narrator develops a distinct understanding of race through the figurative bending of time, dreams of a "race code" and by confronting a series of mysterious communications that remain just outside comprehension. Over the course of this journey, the answers to important questions about racial inequality quietly emerge for the protagonist. Scholarly encounters with both antagonistic colleagues and unexpected allies, culminate when the hero is forced to reach a devastating conclusion about themselves and the world. Stirring and luminous, Race in the Machine deftly oscillates between the allegorically simplified and the impossibly complex to weave an utterly unique and nuanced portrait of race in the modern world"--