Podcast · Community-Driven Archives (CDA) Initiative · Archives Glow, a podcast about community history, memory, and healing. Brought to you by the Community-Driven Archives (CDA) Initiative at Arizona State University Library which empowers BIPOC and LGBTQ+ communities to preserve their stories and archives. Episodes will highlight the importance of BIPOC experiences and storytelling, center the lived experiences and knowledge of community members, and share untold stories and history of marginalized communities. Follow CDA Initiative on Instagram @asulibcda, like our Facebook page, “ASU Library Community Driven Archives,” and check out our website at https://lib.asu.edu/communityarchives for more information. Hosted on Acast. See acast.com/privacy for more information.

Welcome Black Collections, a new archival repository within the Community-Driven Archives Initiative at ASU Library, focused on creating a robust community collection dedicated to documenting the lived experiences of Black people living and thriving in Arizona. As part of the award-winning CDA Initiative established in 2017 with the support of the Andrew W. Mellon Foundation, Black Collections seeks to establish and implement programs and services that will engage, educate and empower Arizona’s Black community to preserve currently silenced narratives and history. Building this infrastructure and relationships with historically marginalized communities takes time and patience, a deep desire and passion to create change and highly trained students, staff and professionals. , Why create Black Collections? “I want Black Collections to be an important collection that the Black community of Phoenix and Arizona are proud of. Everybody deserves to have their stories documented and the ability to see themselves within the archival record. Black Collections is about working with community to preserve Black history and stories in Arizona.” – Jessica Salow, assistant archivist of Black Collections , Highlighted Collection J. Eugene Grigsby Jr. Documents the work and legacy of artist, educator and mentor of generations of young artists, Dr. Jefferson Eugene Grigsby, Jr. Visit the finding aid for the J. Eugene Grigsby Jr. Papers   , LIFT Initiative elevates Black Collections Black Collections was created as part of ASU’s LIFT (Listen, Invest, Facilitate, Teach) Initiative. In the fall of 2020, President Crow’s office shared a list of 25 actions to support Black students, faculty and staff. On point 23, the action reads, “ASU has committed to providing funding to sustain the Community-Driven Archives initiative in the ASU Library in order to enhance the historical record of and the university’s and library’s engagement with underrepresented communities.” You can help CDA and Black Collections recover ASU’s Black history to reflect the scholarship and academic accomplishments of the Black community. Make a gift today. , Information Access the collection Materials in this collection can be viewed by appointment in the Wurzburger Reading Room at Hayden Library (rm. 138). Please make an appointment at least five business days prior to your visit by contacting Ask an Archivist or call 480-965-4932 for more information. Questions? Ask an Archivist Jessica Salow Assistant Archivist of Black Collections jessica.salow@asu.edu , Resources Black Collections Symposium LibGuide Arizona Archives Online ASU Digital Repository ASU Distinctive Collections Policies Camera Use Agreement Using our collections in publications Connect with us Follow Community-Driven Archives on social media!     , News and blog More news Department of English celebrates 125th anniversary with special events, including a history exhibit Read more about the "Department of English celebrates 125th anniversary with special events, including a history exhibit" article Local athletes get crash course on Black history in Arizona Read more about the "Local athletes get crash course on Black history in Arizona" article ASU Library collection captures robust history of Arizona Read more about the "ASU Library collection captures robust history of Arizona" article University Archives chronicles more than 140 years of Sun Devil history Read more about the "University Archives chronicles more than 140 years of Sun Devil history" article , ASU Events

Beverly Daniel Tatum on antisemitism, ‘the hardest in the US’, and DEI as the White House targets higher education

"My Father's House is both a biography of iconic African-American Congressman John Conyers Jr. and his more than half-century of groundbreaking legislation, and a son's memoir of leveraging his own voice in a world that his father helped create"-- Provided by publisher.;My Father's House by John Conyers III is a reflective tribute to his father, Congressman John James Conyers, Jr., blending personal memoir with political history. It offers an intimate portrait of Conyers as both a civil rights icon and a complex family man, highlighting his legislative legacy and his mentorship of key national figures. Through his son's eyes, the book humanizes the giants of the civil rights era and underscores their enduring influence on modern American politics.

Carla Hayden, the first African American to hold the post, was fired over diversity initiatives.

“The Association of Research Libraries (ARL) and its members are deeply disappointed in the administration’s decision to terminate Dr. Carla Hayden as Librarian of Congress,” said Andrew K. Pace,...

As ABC15 honors Black History Month, we are taking you inside the African American Museum of Southern Arizona, located on the University of Arizona campus in Tucson.

We speak a different language in my grandmother’s house.

"Narratives written by enslaved Africans in America are few in number. Some are transformative, like that of Harriet Jacobs; others are lesser, like the brief one attributed to Harriet's brother, John S. Jacobs. The revelation, here, of a much longer, richer, and more radical version of John's story, is a major historical event. His work is all the more significant for having been written and published in Australia, outside the sanitizing and bowdlerizing influence of the American Abolitionist movement. Jacobs's full account is a startling and clear expression of the true thoughts, words, and wide-ranging experiences of a man once enslaved"--

"Andrew Kahrl's enraging national assessment of legal and financial dispossession proves that African Americans property owners have long been beset by racist practices, invisible obstacles, and hidden traps that leave them vulnerable to economic predation. Kahrl focuses specially on how property taxes have been used to swindle African Americans out of their land, with the cooperation of public officials and courts. These racist regimes fund and reinforce inequity, with blacks paying more in taxes than whites as they lose tremendous inheritable wealth to whites. There is something more fundamental than the "forty acres" of settlement lore: the taxes on them" --

Born into poverty in rural Alabama, Lewis would become second only to Martin Luther King, Jr. in his contributions to the Civil Rights Movement. He was a Freedom Rider who helped to integrate bus stations in the South, a leader of the Nashville sit-in movement, the youngest speaker at the 1963 March on Washington, and the chairman of the Student Nonviolent Coordinating Committee (SNCC), which he made into one of the major civil rights organizations. He may be best remembered as the victim of a vicious beating by Alabama state troopers at the foot of the Edmund Pettus Bridge in Selma, Alabama, where he nearly died. Greenberg's biography traces Lewis's life through the post-Civil Rights years, when he headed the Voter Education Project, which enrolled millions of African American voters across the South. The book reveals the little-known story of his political ascent first locally in Atlanta, and then as a member of Congress. Tapped to be a part of the Democratic leadership in Congress, he earned respect on both sides of the aisle for the sacrifices he had made on behalf of nonviolent integration in the South and came to be known as the "conscience of the Congress." Thoroughly researched and dramatically told, Greenberg's biography captures John Lewis's influential career through documents from dozens of archives, interviews with hundreds of people who knew Lewis, and long-lost footage of Lewis himself speaking to reporters from his hospital bed following his severe beating on "Bloody Sunday" in Selma. With new details about his personal and professional relationships, John Lewis: A Life is the definitive biography of a man whose heroism during the Civil Rights movement helped to bring America a new birth of freedom. --

"An illustrated edition of The 1619 Project, with newly commissioned artwork and archival images, The New York Times Magazine's award-winning reframing of the American founding and its contemporary echoes, placing slavery and resistance at the center of the American story. Here, in these pages, Black art provides refuge. The marriage of beautiful, haunting and profound words and imagery creates an experience for the reader, a wanting to reflect, to sit in both the discomfort and the joy, to contemplate what a nation owes a people who have contributed so much and yet received so little, and maybe even, to act. --Nikole Hannah-Jones, from the Preface. Curated by the editors of The New York Times Magazine, led by Pulitzer Prize-winning journalist Nikole Hannah-Jones, this illustrated edition of The 1619 Project features seven chapters from the original book that lend themselves to beautiful, engaging visuals, deepening the experience of the content. The 1619 Project: A Visual Experience offers the same revolutionary idea as the original book, an argument for a new national origin story that begins in late August of 1619, when a cargo ship of enslaved people from Africa arrived on the shores of Jamestown, Virginia. Only by reckoning with this difficult history and understanding its powerful influence on our present can we prepare ourselves for a more just future. Filled with original art by thirteen Black artists like Carrie Mae Weems, Calida Rawles, Vitus Shell, Xaviera Simmons, on the themes of resistance and freedom, a brand-new photo essay about slave auction sites, vivid photos of Black Americans celebrating their own forms of patriotism, and a collection of archival images of Black families by Black photographers, this gorgeous volume offers readers a dynamic new way of experiencing the impact of The 1619 Project. Complete with many of the powerful essays and vignettes from the original edition, written by some of the most brilliant journalists, scholars, and thinkers of our time, The 1619 Project: A Visual Experience brings to life a fuller, more comprehensive understanding of American history and culture"--

By Cara Moore Lebonick | National Archives News ST. LOUIS, November 4, 2024 — On the 100-year anniversary of race riots erupting in the predominantly Black-populated and affluent Greenwood District

"This groundbreaking book uncovers how anti-Black racism has informed and perpetuated anti-literacy laws, policies, and customs from the colonial period to the present day. A counternarrative of the history of Black literacy in the United States, the book's historical lens reveals the interlocking political and social structures that have repeatedly failed to support equity in literacy for Black students. Arlette Ingram Willis walks readers through the impact of anti-Black racism's impact on literacy education by identifying and documenting the unacknowledged history of Black literacy education, one that is inextricably bound up with a history of White supremacy. In illuminating chapters, Willis exposes, interrogates, and analyzes incontrovertible historical evidence of the social, political, and legal efforts to deny equal literacy access. Chapters cover an in-depth evolution of the role of White supremacy and the harm it causes in forestalling Black readers' progress; a critical examination of empirical research and underlying ideological assumptions that resulted in limiting literacy access; and a review of federal and state documents that restricted reading access for Black people. Willis interweaves historical vignettes throughout the text as antidotes to whitewashing the history of literacy among Black people in the US and offers recommendations on ways forward to dismantle racist reading research and laws. By centering the narrative on the experiences of Black people in the US, Willis shifts the conversation and provides an uncompromising focus on not only the historical impact of such laws and policies but also their connections to the present-day laws and policies. A definitive history of the instructional and legal structures that have harmed generations of Black people, this text is essential for scholars, students, and policymakers in literacy education, reading research, history of education, and social justice education"--

Candice Hammons' journey and the plight of her ancestors will become an exhibit by the African American Museum of Southern Arizona on October 17

A sobering account of a little-known crime against African Americans, and the insidious legacy of racism that reverberates today. From the aftermath of the Civil War through the dawn of World War II, under laws enacted specifically to intimidate blacks, tens of thousands of African Americans were arbitrarily arrested, hit with outrageous fines, and charged for the costs of their own arrests. With no means to pay these "debts," prisoners were sold as forced laborers to coal mines, lumber camps, brickyards, railroads, quarries, and farm plantations. Thousands of other African Americans were simply seized and compelled into years of involuntary servitude. Armies of "free" black men labored without compensation, were repeatedly bought and sold, and were forced through beatings and physical torture to do the bidding of white masters for decades after the official abolition of American slavery.--From publisher description

"This radical work by one of the leading young scholars of Black thought delineates a new concept of Black dignity, yet one with a long history in Black writing and action. Previously in the West, dignity has been seen in two ways: as something inherent in one's station in life, whether acquired or conferred by birth; or more recently as an essential condition and right common to all of humanity. In what might be called a work of observational philosophy--an effort to describe the philosophy underlying the Black Lives Matter movement--Vincent W. Lloyd defines dignity as something performative, not an essential quality but an action: struggle against domination. Without struggle, there is no dignity. He defines anti-Blackness as an inescapable condition of American life, and the slave's struggle against the master as the "primal scene" of domination and resistance. Exploring the way Black writers such as Frederick Douglass, Langston Hughes, and Audre Lorde have dealt with themes such as Black rage, Black love, and Black magic, Lloyd posits that Black dignity is the paradigm of all dignity and, more audaciously, that Black philosophy is the starting point of all philosophy."--

The processed records of the NAACP Legal Defense and Educational Fund consist of approximately 80,000 items of which about 80% (210,299 images) have been digitized thus far. Spanning the years 1915-1968, with most dating from 1940 to 1960, these records document the work and procedures of the organization as it combated racial discrimination in the nation’s courts, establishing in the process a public interest legal practice that was unprecedented in American jurisprudence. The organization’s records cover a host of topics, including segregation in schools, on buses, and in public facilities; discrimination in housing and property ownership; voting rights; police brutality; racial violence; and countless other infringements of civil rights.

"This work is a history of slavery, capitalism, and the law that not only reframes how we understand the commodification of enslaved people, but also makes a significant methodological and moral argument for how historians should seek to make sense of the lived experiences of enslaved people in the antebellum United States"--

"Based on the Du Bois Lectures delivered at Harvard in 2011, We Are the Leaders We Have Been Looking For argues for the importance of self-cultivation in pursuit of justice as a critical feature of Black politics, what Eddie S. Glaude Jr. calls Black democratic perfectionism. Building on the political scientist Adolph Reed's work on 'Black custodial politics' Glaude critiques our impulse to outsource political needs to a professional class of politicians that purportedly represent us. Instead, he affirms the capacities of ordinary people to cultivate a better self and a better world by locating the prophetic and the heroic not in the pulpit but in the pew"--

"On a cold day in March of 1911, officials marched twelve Black men into the heart of a forest in Maryland. Under the supervision of a doctor, the men were forced to clear the land, pour cement, lay bricks, and harvest tobacco. When construction finished, they became the first twelve patients of the state's Hospital for the Negro Insane. For centuries, Black patients have been absent from our history books. Madness transports readers behind the brick walls of a Jim Crow asylum. In Madness, Peabody and Emmy award-winning journalist Antonia Hylton tells the 93-year-old history of Crownsville Hospital, one of the last segregated asylums with surviving records and a campus that still stands to this day in Anne Arundel County, Maryland. She blends the intimate tales of patients and employees whose lives were shaped by Crownsville with a decade-worth of investigative research and archival documents. Madness chronicles the stories of Black families whose mental health suffered as they tried, and sometimes failed, to find safety and dignity. Hylton also grapples with her own family's experiences with mental illness, and the secrecy and shame that it reproduced for generations. As Crownsville Hospital grew from an antebellum-style work camp to a tiny city sitting on 1,500 acres, the institution became a microcosm of America's evolving battles over slavery, racial integration, and civil rights. During its peak years, the hospital's wards were overflowing with almost 2,700 patients. By the end of the 20th-century, the asylum faded from view as prisons and jails became America's new focus. In Madness, Hylton traces the legacy of slavery to the treatment of Black people's bodies and minds in our current mental healthcare system. It is a captivating and heartbreaking meditation on how America decides who is sick or criminal, and who is worthy of our care or irredeemable"--

As seen on CBS This Morning, award-winning attorney Ben Crump exposes a heinous truth in Open Season: Whether with a bullet or a lengthy prison sentence, America is killing black people and justifying it legally. While some deaths make headlines, most are personal tragedies suffered within families and communities. Worse, these killings are done one person at a time, so as not to raise alarm. While it is much more difficult to justify killing many people at once, in dramatic fashion, the result is the same-genocide.--

In this edition of Behind the Bindings, discover tools that you can use for researching Black history in the Law Journal Library!

February marks the beginning of Black History Month, a time dedicated to recognizing and celebrating the profound contributions of African Americans throughout history. This annual observance serves as a crucial reminder of the struggles, triumphs, and enduring resilience of the Black community.

"Our Hidden Conversations is a unique compilation of stories, richly reported essays, and photographs providing a window into America during a tumultuous era. This powerful book offers an honest, if sometimes uncomfortable, conversation about race and identity, permitting us to eavesdrop on deep-seated thoughts, private discussions, and long submerged memories."--

"From acclaimed columnist and political commentator Michael Harriot, a searingly smart and bitingly hilarious retelling of American history that corrects the record and showcases the perspectives and experiences of Black Americans. America's backstory is a whitewashed mythology implanted in our collective memory. It is the story of the pilgrims on the Mayflower building a new nation. It is George Washington's cherry tree and Abraham Lincoln's log cabin. It is the fantastic tale of slaves that spontaneously teleported themselves here with nothing but strong backs and negro spirituals. It is a sugarcoated legend based on an almost true story. It should come as no surprise that the dominant narrative of American history is blighted with errors and oversights--after all, history books were written by white men with their perspectives at the forefront. It could even be said that the devaluation and erasure of the Black experience is as American as apple pie. In Black AF History, Michael Harriot presents a more accurate version of American history. Combining unapologetically provocative storytelling with meticulous research based on primary sources as well as the work of pioneering Black historians, scholars, and journalists, Harriot removes the white sugarcoating from the American story, placing Black people squarely at the center. With incisive wit, Harriot speaks hilarious truth to oppressive power, subverting conventional historical narratives with little-known stories about the experiences of Black Americans. From the African Americans who arrived before 1619 to the unenslavable bandit who inspired America's first police force, this long overdue corrective provides a revealing look into our past that is as urgent as it is necessary. For too long, we have refused to acknowledge that American history is white history. Not this one. This history is Black AF"--

"In Black Hollywood, photographer Carell Augustus has enlisted Black celebrities and performers from all areas of entertainment to recreate iconic scenes from classic Hollywood movies, television, and other media. The images illuminate the role of race in Hollywood history by re-imagining classic films with Black actors, renewing readers' appreciation of the past while celebrating the hottest Black stars of today and inspiring the artists of the future. More than a book about pop culture, film history, or race, Black Hollywood is truly an inspirational artistic homage to our greatest blockbuster movies and the actors who brought them to life"--

"Every Supreme Court transition presents an opportunity for a shift in the balance of the third branch of American government, but the replacement of Thurgood Marshall with Clarence Thomas in 1991 proved particularly momentous. Not only did it shift the ideological balance on the Court; it was inextricably entangled with the persistent American dilemma of race. In The Transition, this most significant transition from 1953 to the present is explored through the lives and writings of the first two African American justices on Court, touching on the lasting consequences for understandings of American citizenship as well as the central currents of Black political thought over the past century. In their lives, Thurgood Marshall and Clarence Thomas experienced the challenge of living and learning in a world that had enslaved their relatives and that continued to subjugate members of their racial group. On the Court, their judicial writings--often in concurrences or dissents--richly illustrate the ways in which these two individuals embodied these crucial American (and African American) debates--on the balance between state and federal authority, on the government's responsibility to protect its citizens against discrimination, and on the best strategies for pursuing equality. The gap between Justices Marshall and Thomas on these questions cannot be overstated, and it reveals an extraordinary range of thought that has yet to be fully appreciated. The 1991 transition from Justice Marshall to Justice Thomas has had consequences that are still unfolding at the Court and in society. Arguing that the importance of this transition has been obscured by the relegation of these Justices to the sidelines of Supreme Court history, Daniel Kiel shows that it is their unique perspective as Black justices--the lives they have lived as African Americans and the rooting of their judicial philosophies in the relationship of government to African Americans--that makes this succession echo across generations"--

Who is Robert Morris:     Born in Salem Massachusetts in 1825, Neither Morris, his siblings, nor his parents were enslaved. This foundatio...