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(PDF) Storifying Instructional Videos on Online Credibility Evaluation: Examining Engagement and Learning
(PDF) Storifying Instructional Videos on Online Credibility Evaluation: Examining Engagement and Learning

This study researched whether adding story elements to an instructional video affects motivation, emotional engagement, and learning. In the research, they explain that they did not find any difference between a well-produced instructional video and a storified instructional video.

However, the storified video feels very artificial to me. This isn't a story about a relevant character the learners can identify with who uses the concepts in realistic situations (or even slightly exaggerated ones). This is about a fake detective agency. I'd be cautious about assuming this research applies to realistic stories as well.

·researchgate.net·
(PDF) Storifying Instructional Videos on Online Credibility Evaluation: Examining Engagement and Learning
Tip 13: Experiment with Structure
Tip 13: Experiment with Structure
Hadiya Nurridin continues her series on storytelling with more examples of narrative structure and how they affect the message of a story. When we use storytelling for training, we're not just trying to entertain people. We're using the story to convey a specific message, shift attitudes, or motivate people to change behavior. Different structures may change the message or create a more compelling story.
Exploring different perspectives in personal storytelling enriches the narrative by fostering a deeper understanding and empathy toward the characters and situations involved
·linkedin.com·
Tip 13: Experiment with Structure
AI Story Generator (Free, No Signup & Unlimited)
AI Story Generator (Free, No Signup & Unlimited)
This seems like something that could be done with a combination of other tools (an LLM plus an image generator), but this is a tool that creates stories plus images to accompany them. It would be interesting to experiment with as inspiration for training scenarios. However, note that the site claims copyright of all stories created, so don't plan to use this for commercial purposes. Use it for inspiration rather than as the actual content of a story.
·datanumen.com·
AI Story Generator (Free, No Signup & Unlimited)
Tip 7: Be Strategic About Structure
Tip 7: Be Strategic About Structure
Hadiya Nuriddin shares examples of how the structure of a story shapes the audience's understanding of the content and the overall message. Note that Hadiya isn't talking about the "hero's journey" or some other overarching classic structure here (which I often find more problematic than helpful for scenario-based learning, especially branching scenarios). It's more about how information is revealed and how the action is organized in the story. In this article, she summarizes three versions of a story where a secret is revealed at different times to show how the structure affects the message.
How, when, and why a reader is exposed to information in a narrative matters because it determines how the plot unfolds and impacts the audience's understanding and engagement with the story.<span class="white-space-pre"> </span>
·linkedin.com·
Tip 7: Be Strategic About Structure
Tip 6: Show, Don't Tell
Tip 6: Show, Don't Tell
Hadiya Nuriddin continues her series of tips on writing stories with "show, don't tell." Specifically, she talks about adding descriptions to focus on the emotional aspects, not just over-explaining what things look like. Hadiya includes several examples.
Always lead with emotions when showing instead of telling.
·linkedin.com·
Tip 6: Show, Don't Tell
Memory and comprehension of narrative versus expository texts: A meta-analysis - PMC
Memory and comprehension of narrative versus expository texts: A meta-analysis - PMC
The full text of the meta-analysis comparing memory and understanding of stories versus expository text. The researchers are careful to note the limitations of this evidence, but overall found that narratives have an advantage over expository text and explanations.
Stories may be easier to remember and comprehend than essays because stories resemble our everyday experiences (Bruner, <a href="#CR10" rid="CR10" class=" bibr popnode" role="button" aria-expanded="false" aria-haspopup="true">1986</a>; Graesser et al., <a href="#CR39" rid="CR39" class=" bibr popnode" role="button" aria-expanded="false" aria-haspopup="true">1991</a>). People experience life in the real world as temporally ordered causal events, organized around personal goals, with the encountering and overcoming of obstacles to these goals resulting in emotional experiences; this parallels the structure of stories (Graesser, McNamara, &amp; Louwerse, <a href="#CR37" rid="CR37" class=" bibr popnode" role="button" aria-expanded="false" aria-haspopup="true">2003</a>; Graesser, Singer, &amp; Trabasso, <a href="#CR38" rid="CR38" class=" bibr popnode" role="button" aria-expanded="false" aria-haspopup="true">1994</a>).
Familiarity with the structure and content of a text is referred to as relevant “prior knowledge” (Dochy, Segers, &amp; Buehl, <a href="#CR28" rid="CR28" class=" bibr popnode" role="button" aria-expanded="false" aria-haspopup="true">1999</a>), and stories might be more memorable and comprehensible thanks to readers having greater prior knowledge.
Readers are less likely to benefit from prior knowledge while reading an essay, relative to stories, and are therefore less likely to benefit from easy inferences. This combination could easily put expository texts at a disadvantage when it comes to memory and comprehension (Coté, Goldman, &amp; Saul, <a href="#CR18" rid="CR18" class=" bibr popnode" role="button" aria-expanded="false" aria-haspopup="true">1998</a>; McNamara, <a href="#CR68" rid="CR68" class=" bibr popnode" role="button" aria-expanded="false" aria-haspopup="true">2004</a>).
A final reason to believe that narratives may be more memorable than expository texts hinges on the ability of emotions to facilitate memory (Hamann, <a href="#CR42" rid="CR42" class=" bibr popnode" role="button" aria-expanded="false" aria-haspopup="true">2001</a>). Affectively charged recollections have been dubbed “flash-bulb” memories, to communicate the idea that emotional events are deeply imprinted on the mind, like a flash aiding photography (Winograd &amp; Neisser, <a href="#CR107" rid="CR107" class=" bibr popnode" role="button" aria-expanded="false" aria-haspopup="true">1992</a>). This emotional facilitation of memory appears to result from a prioritizing of emotional material when it comes to attention and perception (Brosch, Pourtois, &amp; Sander, <a href="#CR9" rid="CR9" class=" bibr popnode" role="button" aria-expanded="false" aria-haspopup="true">2010</a>), with personal relevance playing a key role (Levine &amp; Edelstein, <a href="#CR58" rid="CR58" class=" bibr popnode" role="button" aria-expanded="false" aria-haspopup="true">2009</a>). To the extent that stories are better able to evoke strong emotions than expository texts (cf. Mar, Oatley, Djikic, &amp; Mullin, <a href="#CR62" rid="CR62" class=" bibr popnode" role="button" aria-expanded="false" aria-haspopup="true">2011</a>), we would expect stories to be better recalled than exposition.
Our primary research question was whether memory and comprehension differ for narrative versus expository texts. Our three-level random-effects meta-analysis of 150 effect-sizes found that, on average, memory and comprehension of narrative texts was superior to that for expository texts.
Our meta-analysis of 150 effect-sizes (from over 75 unique samples and more than 33,000 participants) found that people had an easier time comprehending and recalling narrative texts compared to expository ones. The average magnitude of this effect was more than a half a standard deviation, with a 95% CI ranging from just more than one-quarter to slightly more than three-quarters of a standard deviation. Moreover, this result appears to be robust, and not driven by any one particular effect-size or study. There was a great deal of variability in these effects, however, almost all of which represents true heterogeneity and not random sampling error. This variability originated primarily from differences between studies.
In closing, the totality of the evidence available finds that people have an easier time comprehending and recalling information presented in a story compared to that presented in an essay. This has potential implications for a number of disciplines, not least of which is the realm of education.
To that end, the advantage afforded to narratives over exposition in this domain should be considered whenever possible. We must emphasize, however, that these results should not be interpreted as a suggestion to force all information into a narrative form for pedagogical purposes, especially when such information is not typically presented in this way.
It is quite possible that mixed genres like narrative journalism, for example, could hold the key for leveraging the advantages of narrative–its ability to capture interest and communicate experience through imagination – to meet the goals of exposition to inform and educate (van Krieken &amp; Sanders, <a href="#CR102" rid="CR102" class=" bibr popnode" role="button" aria-expanded="false" aria-haspopup="true">in press</a>).
·ncbi.nlm.nih.gov·
Memory and comprehension of narrative versus expository texts: A meta-analysis - PMC
Memory and comprehension of narrative versus expository texts: A meta-analysis - PubMed
Memory and comprehension of narrative versus expository texts: A meta-analysis - PubMed
A meta-analysis comparing how people remember and understand text, broadly categorized as narratives (stories) and expository texts (which they call essays). They acknowledge that the research is mixed, but overall found a "robust" result that stories were easier to understand and remember.
Based on over 75 unique samples and data from more than 33,000 participants, we found that stories were more easily understood and better recalled than essays. Moreover, this result was robust, not influenced by the inclusion of a single effect-size or single study, and not moderated by various study characteristics. This finding has implications for any domain in which acquiring and retaining information is important.
·pubmed.ncbi.nlm.nih.gov·
Memory and comprehension of narrative versus expository texts: A meta-analysis - PubMed
Hana Feels
Hana Feels

An example of interactive fiction built in Twine. This isn't exactly a training branching scenario, and there isn't always a clearly right answer. While I don't want to give any spoilers, this deals with some mental health topics that probably justify a content warning.

From a structure perspective, I like how the choices themselves are pretty short, but the actual dialogue is often a little longer.

I also think the layout works really effectively with a look like chat bubbles, but just having the choices at the bottom and not bothering with scrolling or fancy animation. Behind the scenes, there's clearly some scoring happening to reflect how Hana feels, how she responds, and what ending you see.

This was also interesting because you make choices for multiple characters who interact with Hana, rather than seeing it from her perspective. Again without giving spoilers, this story structure might be helpful for dealing with other sensitive topics like DEI.

·hanafeels.com·
Hana Feels
Interactivity Vs. Engagement: Going beyond meaningless clicks
Interactivity Vs. Engagement: Going beyond meaningless clicks
Jahan Kay clarifies the differences between interactivity and engagement, especially cognitive and emotional engagement. The article notes some types of interaction that may support cognitive engagement: scenario-based learning, simulations, discussions, and social interaction.
But the real value of interactivity doesn't lie in the number of physical interactions. It's about the depth of cognitive engagement these interactions can ignite.
·linkedin.com·
Interactivity Vs. Engagement: Going beyond meaningless clicks
Strategies for Humanizing Training
Strategies for Humanizing Training
Rance Green summarizes the structure for instructional story design.
<div class="lw-widget-in learnworlds-main-text learnworlds-element learnworlds-main-text-normal" data-element-id="textNormal" data-node-type="text" id="el_1658785768982_396" style="">To sum up this structure, it looks like this:&nbsp;<br></div><h4 class="lw-widget-in learnworlds-heading4 learnworlds-heading4-large learnworlds-element" data-element-id="textNormal" data-node-type="text" id="el_1658786051875_436" style=""><div style="text-align: center;">STORY <span style="color: rgb(255, 132, 0);">&gt; </span>REFELECT <span style="color: rgb(255, 132, 0);">&gt; </span>SOLVE <span style="color: rgb(255, 132, 0);">&gt; </span>FEEDBACK</div></h4><ul class="lw-widget-in lw-cols oneItem-per-row multiple-rows learnworlds-element js-same-content-wrapper" data-node-type="listWrapper" data-element-id="listType1" id="el_1658951004446_1498"> <li class="col no-padding flex-item with-flexible-parts non-flexible js-lw-flexible-wrapper js-same-content-child" data-node-type="listItem" id="el_1658951004451_1508"> <span class="learnworlds-main-text-normal flexible-part learnworlds-icon lw-brand-text fas fa-angle-right" data-node-type="icon" id="el_1658951004453_1509"></span> <div class="flexible-part learnworlds-main-text learnworlds-element learnworlds-main-text-normal" data-node-type="text" id="el_1658951004454_1510">Tell the story first.</div> </li> <li class="col no-padding flex-item with-flexible-parts non-flexible js-lw-flexible-wrapper js-same-content-child" data-node-type="listItem" id="el_1658951004455_1511"> <span class="learnworlds-main-text-normal flexible-part learnworlds-icon lw-brand-text fas fa-angle-right" data-node-type="icon" id="el_1658951004456_1512"></span> <div class="flexible-part learnworlds-main-text learnworlds-element learnworlds-main-text-normal" data-node-type="text" id="el_1658951004457_1513">Ask the learner to reflect on the story.&nbsp;</div> </li> <li class="col no-padding flex-item with-flexible-parts non-flexible js-lw-flexible-wrapper js-same-content-child" data-node-type="listItem" id="el_1658951004458_1514"> <span class="learnworlds-main-text-normal flexible-part learnworlds-icon lw-brand-text fas fa-angle-right" data-node-type="icon" id="el_1658951004458_1515"></span> <div class="flexible-part learnworlds-main-text learnworlds-element learnworlds-main-text-normal" data-node-type="text" id="el_1658951004459_1516">Ask the learner to solve something based on the story.</div> </li> <li class="col no-padding flex-item with-flexible-parts non-flexible js-lw-flexible-wrapper js-same-content-child" data-node-type="listItem" id="el_1658951103925_1569"> <span class="learnworlds-main-text-normal flexible-part learnworlds-icon lw-brand-text fas fa-angle-right" data-node-type="icon" id="el_1658951103924_1567"></span> <div class="flexible-part learnworlds-main-text learnworlds-element learnworlds-main-text-normal" data-node-type="text" id="el_1658951103924_1568">Give the learner feedback on their answers.</div></li></ul>
·schoolofstorydesign.com·
Strategies for Humanizing Training
Ask the Cognitive Scientist | American Federation of Teachers
Ask the Cognitive Scientist | American Federation of Teachers
Daniel Willingham summarizes some of the research on how stories can improve learning. In addition to the research examples, he explains elements of story as found in movies and explains how these can be applied in learning. While the learning examples are all focused on classroom teaching, some of this could be applied to workplace training too.
·aft.org·
Ask the Cognitive Scientist | American Federation of Teachers
What are the downsides to using stories for training and development? - Training Films You'd Watch at Home | Video Production for L&D | Sage Media
What are the downsides to using stories for training and development? - Training Films You'd Watch at Home | Video Production for L&D | Sage Media
The version of storytelling apparently assumed as the basis of this article is when a trainer shares an anecdote or story with a moral during live training. While that's not generally how I use storytelling in my own work, some of the issues here are relevant to elearning and interactive storytelling too. Stories should be relevant and connect to the goals of the course. You should revise your writing to polish it (although I think the note about revising dozens of times for a movie script isn't really relevant to training--none of us have that much time for revisions, nor do we need it to be that kind of quality).
·sage.media·
What are the downsides to using stories for training and development? - Training Films You'd Watch at Home | Video Production for L&D | Sage Media
19 Ways to Write Better Dialogue — Well-Storied.
19 Ways to Write Better Dialogue — Well-Storied.
Tips for writing better dialogue like "every line of dialogue should serve a purpose." While this is aimed at general fiction writing and not learning, most of this applies to writing scenarios for learning too.
<p class="" style="white-space:pre-wrap;">Before writing a conversation, take the time to ask yourself what key purpose(s) the conversation will serve. Most often, conversations work to resolve or create tension, establish context, or reveal new information that moves the story forward.</p><p class="" style="white-space:pre-wrap;">With an established purpose in mind, you can begin writing dialogue with the confidence that you're adding value to your story rather than setting readers up for boredom.&nbsp;</p>
One easy way to identify dialogue missteps, however, is to read your story's conversations aloud.&nbsp;If the dialogue doesn't flow when spoken, you'll know exactly where to revise your work.
·well-storied.com·
19 Ways to Write Better Dialogue — Well-Storied.
Great Storytelling and Compliance Training an Obvious Match | Learning Solutions Magazine
Great Storytelling and Compliance Training an Obvious Match | Learning Solutions Magazine
Weaving stories into compliance training helps keeps learners engaged. Includes quotes and descriptions of examples used by several companies on how they implemented it. These aren't straightforward traditional elearning; one is a podcast, another uses episodic training with characters who return over time to build their story.
·learningsolutionsmag.com·
Great Storytelling and Compliance Training an Obvious Match | Learning Solutions Magazine
Five reasons for scenario-based design
Five reasons for scenario-based design
Abstract of an article on scenario-based learning for teaching human-computer interaction. These five reasons could apply to other topics as well.
Scenario-based design of information technology addresses five technical challenges: scenarios evoke reflection in the content of design work, helping developers coordinate design action and reflection. Scenarios are at once concrete and flexible, helping developers manage the fluidity of design situations. Scenarios afford multiple views of an interaction, diverse kinds and amounts of detailing, helping developers manage the many consequences entailed by any given design move. Scenarios can also be abstracted and categorized, helping designers to recognize, capture and reuse generalizations and to address the challenge that technical knowledge often lags the needs of technical design. Finally, scenarios promote work-oriented communication among stakeholders, helping to make design activities more accessible to the great variety of expertise that can contribute to design, and addressing the challenge that external constraints designers and clients face often distract attention from the needs and concerns of the people who will use the technology.
·iwc.oxfordjournals.org·
Five reasons for scenario-based design