curated watchlist
(6:40)
some notes from Liy:
- there is a difference between being authentic online and the death of privacy
- Being authentic and real doesn’t mean that your social media presence has to reflect the rawest version of yourself
- It can be easy to overshare when you’re tricked by the illusion of closeness. This illusion is very easy to fall into on the internet
- There are more productive methods to dealing with heavy and confusing emotions than to simply disclose them to anyone with ears
- oversharing is typically defined by the context of the situation
- don’t feel that every single emotion and thought needs to be displayed to the outside world—because they don’t
- "if you had taken a week more to understand how you felt, been patient, and had some self-control, we’d all be better for it. But now we’re here, and nobody likes it here. Why would you do that?"
- As a general rule of thumb, understand how you feel and what you mean before you put blanket statements out into the world. It is difficult to take them back, and it’s definitely not desirable to have to keep amending and changing what you meant.
- getting attention isn't necessarily good. shock value is more worthy of immediate attention
- shock value = internet attention = fame and money
- shock value = bad actions - shame
- on the internet, all attention seems like approval. the only form of disapproval that works on the internet is not giving it attention
- understand how you present yourself
- show basic respect for other people
- it is not vain or fake to want to present yourself well
0:00 - do you know the muffin man? 1:16 - brief introduction to marxism 1:47 - class distinctions in shrek 2:55 - shrek 5:51 - donkey 7:52 - lord farquaad 8:23 - the political economy 10:00 - lord farquaad as political agent 12:39 - shrek as revolutionary 14:40 - shrek vs lord farquaad 16:24 - fiona and postmodernism 17:47 - dragon 18:23 - how revolutionary was the revolution? 19:53 - yes, i know the muffin man
Vietnam has fought and defeated countless Goliaths to achieve its liberation.
While our people in Palestine are still fighting their own Goliath, we wanted to learn, how did the Vietnamese do it? And what happens once this Goliath is taken down? What does a national identity built on liberation and resistance look like when the country’s at peace? And is Vietnam really at peace?
We traveled to Hanoi in the north and Ho Chi Minh City Saigon in the South to explore Vietnam’s story of liberation, and the story it's writing now.
Introduction - 0:00 Mapping Data Colonialism - 1:30 Data Colonialism's Civilising Mission - 10:26 Decolonising Data - 15:23
0:00 - intro 3:01 - the pope's fashion 9:25 - aesthetics of the church 14:25 - heavenly bodies exhibit 18:35 - catholicism goes alternative 29:16 - is this okay?
Cheyenne Lim (28:52).
Intro 0:00 Part 1: Is the U.S. actually declining? 3:29 Part 2: Declinism in Politics: What is it and How is it Used 15:28 Part 3: The Romanticization of Declinism as Part of the “American Identity” 20:59 Conclusion 25:36
liy: A gentle reminder to the next person who asks me if we are in a world war, and if yes, how would I know.
Sources and essay: bit.ly/liy-heatwave2024
-- Chapters -- 0:00 - Introduction 6:21 - Websites 9:24 - Blogging 11:10 - RSS 16:21 - Tools/Communities 21:18 - Conclusion
Lily Simpson (10:00:05): Just a couple of words about the wizarding world of Harry Potter, Pottermore, Fantastic Beasts, Wizards Unite, Magic Awakened, Hogwarts Mystery and JK Rowling's blog. A nice short video.
liy: if you don't have to deprogramme from the massive intellectual property empire that has imperialised all collective imagination related to MAGIC??? GOOD! But if you do— like me, someone who grew up attached to the franchise— then please watch this british transwoman's vibrant hair colour fade across 10 hours as she takes a reaaally thorough look at it. why i watched it: i didn't want to contribute to JK Rowling, a proven fascist transphobe who is richer than English royalty, get even richer
Jessie Gender (4:17:13) Despite understanding some of the hydra heads that form from it - the apparatus, functions, and nature of antisemitism are often less understood on a deeper level because despite its long history and that it frequently intersects with other bigotries, it is not based directly on poverty, skin color or colonized status. It’s also historically quite flexible, constantly evolving to fit the numerous contexts it crops up within. As a result, leftist groups can often miss it when it appears. There is also a question that often goes unaddressed in the binary framework of a propagandizing neo-colonial power that works to perpetuate its power versus those who fight it endlessly. Can antisemitism exist within leftist movements fighting for Palestinian autonomy and self-determination?
0:00 - Introduction 28:23 - Part 1: How Antisemitism Functions 47:25 - Part 2: The History of Zionism 1:45:56 - Part 3: Zionism as a Political Ideology 2:32:18 - Part 4: Zionism as an Emotion 3:07:35 - Part 5: Antisemitism on The Left 3:39:29 - Part 6: Anti-Zionism 4:05:06 - Conclusion 4:13:40 - Outro
CJ the X (27:12): unpacking my thoughts on online performance through the burning of an innocent sacrificial lamb
references C. Thi Nguyen, Trust and Sincerity in Art (2021) https://journals.publishing.umich.edu/ergo/article/id/1139/