Found 3 bookmarks
Newest
Who Goes MAGA? | Techdirt
Who Goes MAGA? | Techdirt
Rural Americans may be more susceptible to MAGA than most people, but I doubt it. College graduates are supposedly inoculated, but it is an arbitrary assumption. I know lots of PhD holders who are born MAGAs and many others who would don the red hat tomorrow morning in response to some perceived slight. There are people who have repudiated their own principles in order to become “Honorary Patriots”; there are lifelong Democrats who have enthusiastically entered Trump’s orbit. MAGA has nothing inherently to do with geography, education, or even stated political beliefs. It appeals to a certain type of mind.
It is also, to an immense extent, the disease of a generation—the generation that grew up online, that learned to mistake engagement for truth, that confused being heard with being right. This is as true of suburban millennials as it is of rural boomers. It is the disease of the algorithmically poisoned.
The Contrarian Intellectual His Substack has 10,000 subscribers and a name like “Uncomfortable Truths” or “Against the Grain.” He has an advanced degree and a career in academia or journalism. He positions himself as a truth-teller willing to say what others won’t.
He’s built his brand on being the reasonable liberal who’s willing to criticize his own side. But his criticism only flows in one direction. He’s endlessly concerned about cancel culture but never mentions voter suppression. He worries about campus speech codes but not about book bans. He’s created a career out of giving conservatives permission to feel intellectual about their prejudices.
The Wellness Influencer Her Instagram is a masterpiece of soft-focus selfies and inspirational quotes. She sells courses on “authentic living” and posts about the importance of “doing your own research.” She’s got 50K followers who hang on her every word about manifestation, healing crystals, and toxic relationships. She already went MAGA during the pandemic, though she’d never admit it. It started with “questioning the narrative” about vaccines and evolved into sharing Robert F. Kennedy Jr. content and ranting about “globalist elites.” She doesn’t post Trump content directly—that would hurt her brand—but she’s constantly sharing adjacent conspiracy theories about child trafficking, fluoride in water, and the “plandemic.”
The Venture Capitalist His Twitter is a constant stream of complaints about “woke employees” destroying productivity and liberal professors poisoning young minds. He’s worth $500 million because of a few home run investments that he lucked into thanks to his Stanford network, but talks like he’s the victim of a vast conspiracy. His feed alternates between humble-brags about his latest investment and rants about how universities are churning out unemployable graduates who expect “participation trophies.” He’s already MAGA, though he’d never admit it publicly—bad for fundraising. He privately complains that diversity hiring is destroying meritocracy while his portfolio companies are run entirely by Stanford MBAs who look exactly like him. He thinks workers asking for fair wages are “entitled” and students protesting genocide are “indoctrinated.”
The Legacy Media Reporter His bio says “Covering politics for [Major News Outlet]” and he takes pride in his “objectivity.” He writes careful both-sides pieces about every issue and treats Trump’s fascist rhetoric as just another political strategy worth analyzing. He’s not quite MAGA yet, but he’s already doing their work for them. He frames voter suppression as “election integrity measures” and describes anti-trans legislation as “parental rights bills.” He gives equal weight to climate scientists and oil industry propagandists because “balance” is more important than truth
The Business Owner She runs a small business—maybe a restaurant, maybe a retail store. She posts about “entrepreneurship” and “the American dream.” She works seventy hours a week and takes pride in “building something from nothing.” She’s prime MAGA material because she’s been trained to see her success as purely individual and her struggles as evidence of government overreach. When COVID restrictions hurt her business, she blamed “bureaucrats” rather than the virus. When she can’t find workers, she blames unemployment benefits rather than wages. Her MAGA turn will be complete when she decides that her business problems are caused by taxes, regulations, and lazy workers rather than market forces and systemic issues. She’ll vote for anyone who promises to “get government out of the way” and let “job creators” like her prosper.
The Normie He doesn’t post about politics much. His feed is mostly sports, vacation photos, and memes. He seems reasonable, moderate, unengaged with the culture wars. He’s the kind of person who says “I don’t really follow politics” and means it. But he’s susceptible to MAGA because he’s politically lazy. He gets his information from headlines and assumes that “both sides” are equally bad. He’s annoyed by political discussions and just wants everyone to “get along.” His MAGA evolution will happen gradually, through exposure to right-wing content disguised as non-political entertainment. He’ll start sharing “funny” memes that happen to have political undertones. He’ll begin to believe that liberals are “too sensitive” and conservatives are “more reasonable.”
The Ones Who Won’t Take the small-town Republican from Ohio who should be MAGA by every demographic marker—pickup truck, church every Sunday, straight GOP for twenty years. But her childhood best friend came out as trans, and suddenly the culture war had a face she loved. Now she’s at city council meetings defending the very people she once thoughtlessly condemned.
They don’t need enemies to blame for their problems. They don’t need simple answers to complicated questions. They’re the teacher who posts about her students’ achievements without making it about herself. They’re the small business owner who pays his workers well because he knows it’s right and actually better for business, not because he has to. They’re the veteran who talks about service without wrapping it in nationalism. They’re the parent who worries about their kids without blaming teachers for everything.
MAGA appeals to people who need to feel special, who need enemies to blame, who need simple answers to complex problems. It attracts those who mistake confidence for competence, who confuse being loud with being right, who think that admitting uncertainty is weakness. It’s not about education or geography or even politics. It’s about character. It’s about whether you can tolerate complexity, whether you can admit mistakes, whether you can see other people as fully human. The scary thing about MAGA isn’t that it’s obviously evil—it’s that it’s appealing to people who think they’re good. It offers them a way to feel righteous about their resentments, patriotic about their prejudices, and principled about their selfishness.
·techdirt.com·
Who Goes MAGA? | Techdirt
Words are polluted. Plots are polluted.
Words are polluted. Plots are polluted.
I care about people more than I care about positions or beliefs, which I tend to consider a subservient class of psychological phenomena. That is to say: I think people wear beliefs like clothes; they wear what they have grown to consider sensible or attractive; they wear what they feel flatters them; they wear what keeps them dry and warm in inclement winter. They believe their opinions, tastes, philosophies are who they are, but they are mistaken. (Aging is largely learning what one is not, it seems to me).
Criticism must serve some function to justify the pain it causes: it must, say, avert a disastrous course of action being deliberated by a group, or help thwart the rise of a barbarous politician. But this rarely occurs. Most criticism, even of the most erudite sort, is, as we all know, wasted breath: preached to one’s own choir, comically or indignantly cruel to those one doesn’t respect, unlikely to change the behavior of anyone not already in agreement.On the other hand! There persists the idea that culture arises out of the scrum of colliding perspectives, and that it is therefore a moral duty to remonstrate against stupidity, performative emoting, deceitful art, destructively banal fiction, and so on. If one doesn’t speak up, one cannot lament the triumph of moral and imaginative vacuity.
One must believe, of course, that there are abstractions worth protecting, and therefore abstractions worth hurting others for, in order to criticize; and the endless repetitiveness of cultural history seems to devalue such abstractions as surely as bad art and cliche devalue words.
·metaismurder.com·
Words are polluted. Plots are polluted.
On the Social Media Ideology
On the Social Media Ideology
Social networking is much more than just a dominant discourse. We need to go beyond text and images and include its software, interfaces, and networks that depend on a technical infrastructure consisting of offices and their consultants and cleaners, cables and data centers, working in close concert with the movements and habits of the connected billions. Academic internet studies circles have shifted their attention from utopian promises, impulses, and critiques to “mapping” the network’s impact. From digital humanities to data science we see a shift in network-oriented inquiry from Whether and Why, What and Who, to (merely) How. From a sociality of causes to a sociality of net effects. A new generation of humanistic researchers is lured into the “big data” trap, and kept busy capturing user behavior whilst producing seductive eye candy for an image-hungry audience (and vice versa).
We need to politicize the New Electricity, the privately owned utilities of our century, before they disappear into the background.
What remains particularly unexplained is the apparent paradox between the hyper-individualized subject and the herd mentality of the social.
Before we enter the social media sphere, everyone first fills out a profile and choses a username and password in order to create an account. Minutes later, you’re part of the game and you start sharing, creating, playing, as if it has always been like that. The profile is the a priori part and the profiling and targeted advertising cannot operate without it. The platforms present themselves as self-evident. They just are—facilitating our feature-rich lives. Everyone that counts is there. It is through the gate of the profile that we become its subject.
We pull in updates, 24/7, in a real-time global economy of interdependencies, having been taught to read news feeds as interpersonal indicators of the planetary condition
Treating social media as ideology means observing how it binds together media, culture, and identity into an ever-growing cultural performance (and related “cultural studies”) of gender, lifestyle, fashion, brands, celebrity, and news from radio, television, magazines, and the web—all of this imbricated with the entrepreneurial values of venture capital and start-up culture, with their underside of declining livelihoods and growing inequality.
Software, or perhaps more precisely operating systems, offer us an imaginary relationship to our hardware: they do not represent transistors but rather desktops and recycling bins. Software produces users. Without operating system (OS) there would be no access to hardware; without OS no actions, no practices, and thus no user. Each OS, through its advertisements, interpellates a “user”: calls it and offers it a name or image with which to identify. We could say that social media performs the same function, and is even more powerful.
In the age of social media we seem to confess less what we think. It’s considered too risky, too private. We share what we do, and see, in a staged manner. Yes, we share judgments and opinions, but no thoughts. Our Self is too busy for that, always on the move, flexible, open, sporty, sexy, and always ready to connect and express.
Platforms are not stages; they bring together and synthesize (multimedia) data, yes, but what is lacking here is the (curatorial) element of human labor. That’s why there is no media in social media. The platforms operate because of their software, automated procedures, algorithms, and filters, not because of their large staff of editors and designers. Their lack of employees is what makes current debates in terms of racism, anti-Semitism, and jihadism so timely, as social media platforms are currently forced by politicians to employ editors who will have to do the all-too-human monitoring work (filtering out ancient ideologies that refuse to disappear).
·e-flux.com·
On the Social Media Ideology