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I Think People Are Perverts
I Think People Are Perverts
I hate the embarrassment that people in this country have around art. I hate the word “pretentious”, especially. I am not against skepticism, but that’s not what I’m talking about here. It’s one thing to criticise pretension when it serves to hide a lack of substance, but we have long since lost the plot about what the word “pretentious” even means. It has become a cudgel, a pernicious rejection of the idea that art should “mean” anything at all beyond entertainment. This kneejerk anti-intellectualism that manifests most often among the “let people enjoy things” crowd, who take gleeful pride in their ignorance and condescension towards any art that aims to broaden horizons or break rules. People who treat art like customer service, like an artist is a DJ you’ve hired for a wedding to only take requests.
·horse-jeans.ghost.io·
I Think People Are Perverts
The Workbench Dispatch: 009
The Workbench Dispatch: 009
His worlds can be isolated, smothering, grating, haunting, bleak, warm, familiar, alien, all at once. They are never dull and they are never someone else’s. Never sacrificing his weirdness, his staunch outlooks on life, or his vision, you can feel his fingerprints on everything he made, because nobody else possibly could have. Sometimes annoying with how opaquely abstract they can be, but never in a cynical way. He had a laser precise understanding of his control over an audience, and explored all the extremes that come with that. He wove dark, brutal, sometimes cruel tapestries of our own psyches and displayed them back to us with white glove care.
Despite being viewed as abstract or avant garde, there is an inescapable Americana to his work, with all of its horrific blemishes and stunning beauty, hand in hand just like the country itself.
Lynch’s art is uncomfortable, uncompromising, but never uncaring. Frigid surreality that could only be a product of warm humanity. Darkness will always coupled with light. After all, nightmares are still dreams.
I would argue that the core tenets of the average American consumer mindset in 2025, the perfect encapsulations of the noxious attitudes that led us to where we are now, come in the form of two particular phrases that have been parroted ad nauseam the last few years.
The first of which is the classic, “Let people enjoy things.” Deconstructing it, it really defines the entire first half of the decade in more ways than one. An invisible straw-man evil big Other that somehow controls whether or not people can “have fun”, a childish temper tantrum thrown by people still getting what they want caused by having to face any form of critical thinking for doing so, a shrieking demand for more pacification, it really has it all. Is it fine for people to have hobbies and interests and passions that don’t align with yours? Absolutely.
There is a large, crucial difference between “letting someone” enjoy something, and negligently allowing something toxic to fester and gradually spread untreated like ignored black mold. Our modern narcissism and individualism have made people so entrenched in their demands for consumption, that it’s hard to imagine who even is not letting people enjoy things at this point.
The all-but-hedonistic behavior of our modern day certainly doesn’t reflect a culture of people not being allowed to enjoy things, but rather one that wants to be able to enjoy things without having to think about it. Any sort of opposing belief, or conscious step back from the raging maw of consumption is met with complete indignation, as if their right to slop is being infringed upon.
Alternatively, chances for maturation or growth get flippantly put off for some other time that never comes, a complete refusal to actually analyze our relationship to the way we operate.
This brings us to the second defining phrase of the times that I’d like to break down, one that is constantly coupled with the former, the oft-repeated, aggressively vapid, “It’s not that deep.”
Part reaction to the supposed “intellectualism” and woke-ism of the 2010s, part rejection of personal responsibility for one’s own habits and actions, it most succinctly sums up the prevailing attitudes that have dictated the course of the Biden and now Trump 2.0 years. If our beautiful and twisted history has taught us anything, it’s that things are usually always that deep, but somehow we’ve began plugging our ears to that fact. It is a frankly dangerous indicator of the median population’s attitude towards growth or challenging oneself in any way.
In the realm of media, this rejection of the inherent depth of things has completely altered people’s understanding about those things. If one’s own scope of something is minimized, anything outside of that scope is easier to be written off as antagonistic, foreign, pretentious, or any other label that leads to dismissal. Valid, formal criticism, (sometimes even from a place of love!), gets brushed off as “hating” because the idea that someone thought about something in a deeper way and wasn’t pleased with what they found is abrasive to those unwilling to explore that same level of depth.
Additionally, this phrase has been the perfect excuse as evil rhetorics are unconsciously spread through seemingly innocuous or lighthearted means. “It’s just a meme, it’s not that deep.” quickly turns to “How did this propaganda spread so fast?”. Through the first 5 years of our decade, we have gradually let it become defined by half gestures and “meh” reactions, a drab grey monocultural sludge, and then have the audacity to wonder how it got that way. We let it slip away ourselves through embracing memetic psyops, “gotta hand it to ‘em”s and "letting people have fun”. Well now they’re having their fun, the question is, do you think they’ll return that favor to you?
Giant swaths of the population have both figuratively and literally thrown their masks away, and are perfectly dumbed down and pacified to be absolutely steamrolled by a whole new wave of regression and recession.
At the time of writing this, Tiktok has been banned and subsequently hours later unbanned, all with Donald Trump’s name fully plastered over the entire ordeal, in what can only come across as a very obvious ploy to swing more gullible idiots into supporting him. The problem with this blatant grab to try and become a hero of a ban that he initially pushed for however, is that it’s working scarily well. The tectonic shift that has been building steadily throughout the course of the failure of the Biden era has finally come for its biggest payoff yet. Capitalizing on people’s COVID fried, goldfish sized memories in order to continue to innocuously shift people right into submission.
The biggest takeaway from the election and gradual Vibe Shift is the powers that be realizing they had more numbers than they thought, that the middle of the bell curve is infinitely more manipulatable than expected. Either directly through propaganda, or indirectly through desensitization via prolonged exposure to the most concentrated, hallucinogenic stupidity available.
If a gun were being pointed in our face, why would we argue that it’s only harmful if someone pulled the trigger.
Another noticeable symptom of this mode of behavior we have fallen into is the warping of what used to be considered “playing devil’s advocate”, and how it has impacted the way we digest and talk about art.
Similar to the attitudes surrounding fast fashion, somewhere along the line people stopped caring about trying to be better than the Mall, even going so far as to fight on the Mall’s behalf out of pure, empty contrarianism. Popularity took the reins as the de-facto measurement of quality, the belief was planted that the mainstream has our artistic best interests in mind, and people militantly ride for that belief despite decades of proof of the opposite. Not knowing nor caring that they’re secretly advocating for overall worse quality of experiences for themselves.
Too many people want to play devil’s advocate but don’t possess the depth of knowledge, the insight, or nuance to do so, so they wind up just playing devil instead, blindly defending degradation rather than express a bit of concern for the way things are going.
It has brought us to where we are now, a legion of people ready to die on the hill of slop, so as not to make any ripples, without even wanting to know if there can be anything better than the lowest common denominator what was shoved down their throats. Taking the sides of the rich people and giant brands that want to give the consumer nothing above mediocrity. These people and places don’t deserve our benefit of the doubt, because they’ve already won.
Vehemently and vocally rejecting that mainstream and embracing what we know to actually be cool. The time for passivity is over, because this continued sliding by the mainstream is active. We know we can be smarter, more conscious consumers, aware of what’s better than the mall or the radio or the pointed propagandized memes on tiktok. We know there’s more rich experiences to be had, art to discover, statements to make, ways to expand our thought that will not be presented to us on a silver platter by giant corporations or industry machines. We can speak with our eyes, ears, voices, and most importantly wallets. If something sucks, say it and stand on it, because it is far too easy now to succumb to the “well everybody’s doing it” mentality.
My tolerance for bad faith devil’s advocate arguments that only contribute to spin the wheels of progress in place is gone. We have only a short amount of time on this earth and I don’t intend to waste it watching that window of opportunity be pissed away by someone else.
Every time you open your mouth is an opportunity to say something new, something of worth, and I do not want to waste even one moment. It’s time to get serious and realize yes it is that deep. It always has been. I can’t say for certain exactly what this counter-culture will manifest as or even look like specifically, but I do have faith that something can and will emerge. There is far too much talent, energy, emotion, conviction, and spirit out there to not.
·marksnotnice.substack.com·
The Workbench Dispatch: 009
Lynch dives within
Lynch dives within
Maybe, suggests the defeated interviewer, "Inland Empire" should be approached like James Joyce's "Finnegans Wake": Accessible as lyrical art, but filled with puzzles for those wanting to go deeper. Lynch nods, swigging one of his tepid cappuccinos. "Yes, with James Joyce, word combinations conjure things. He uses them as an art form and a language for abstractions. Cinema is its own language. As the sound and picture get going and things begin to happen, it can get pretty abstract, but it's a language that says something that can't be said in words -- or maybe could, by a poet."
"I like films that hold abstractions," he says. " 'Getting it' is a subjective thing, because we're all different, and each interpretation is as valid as another. The audience is putting things together as they go. If there's a bump in the intellectual understanding, let it happen. Have that experience, and then later mull things over. Let intuition kick in. It's a higher knowingness. If you try to put it into concrete terms, you're gonna block it."
·sfgate.com·
Lynch dives within
Mulholland Drive movie review (2001) | Roger Ebert
Mulholland Drive movie review (2001) | Roger Ebert
The movie is hypnotic; we’re drawn along as if one thing leads to another–but nothing leads anywhere, and that’s even before the characters start to fracture and recombine like flesh caught in a kaleidoscope.
There have been countless dream sequences in the movies, almost all of them conceived with Freudian literalism to show the characters having nightmares about the plot. “Mulholland Drive” is all dream. There is nothing that is intended to be a waking moment. Like real dreams, it does not explain, does not complete its sequences, lingers over what it finds fascinating, dismisses unpromising plotlines. If you want an explanation for the last half hour of the film, think of it as the dreamer rising slowly to consciousness, as threads from the dream fight for space with recent memories from real life, and with fragments of other dreams–old ones and those still in development.
This is a movie to surrender yourself to. If you require logic, see something else. “Mulholland Drive” works directly on the emotions, like music. Individual scenes play well by themselves, as they do in dreams, but they don’t connect in a way that makes sense–again, like dreams. The way you know the movie is over is that it ends. And then you tell a friend, “I saw the weirdest movie last night.” Just like you tell them you had the weirdest dream.
·rogerebert.com·
Mulholland Drive movie review (2001) | Roger Ebert
Kyle MacLachlan on Instagram: "Forty-two years ago, for reasons beyond my comprehension, David Lynch plucked me out of obscurity to star in his first and last big budget movie. He clearly saw something in me that even I didn’t recognize. I owe my entire career, and life really, to his vision. What I saw in him was an enigmatic and intuitive man with a creative ocean bursting forth inside of him. He was in touch with something the rest of us wish we could get to. Our friendship blossomed on Blue Velvet and then Twin Peaks and I always found him to be the most authentically alive person I’d ever met. David was in tune with the universe and his own imagination on a level that seemed to be the best version of human. He was not interested in answers because he understood that questions are the drive that make us who we are. They are our breath. While the world has lost a remarkable artist, I’ve lost a dear friend who imagined a future for me and allowed me to travel in worlds I cou
Kyle MacLachlan on Instagram: "Forty-two years ago, for reasons beyond my comprehension, David Lynch plucked me out of obscurity to star in his first and last big budget movie. He clearly saw something in me that even I didn’t recognize. I owe my entire career, and life really, to his vision. What I saw in him was an enigmatic and intuitive man with a creative ocean bursting forth inside of him. He was in touch with something the rest of us wish we could get to. Our friendship blossomed on Blue Velvet and then Twin Peaks and I always found him to be the most authentically alive person I’d ever met. David was in tune with the universe and his own imagination on a level that seemed to be the best version of human. He was not interested in answers because he understood that questions are the drive that make us who we are. They are our breath. While the world has lost a remarkable artist, I’ve lost a dear friend who imagined a future for me and allowed me to travel in worlds I cou
What I saw in him was an enigmatic and intuitive man with a creative ocean bursting forth inside of him. He was in touch with something the rest of us wish we could get to.   Our friendship blossomed on Blue Velvet and then Twin Peaks and I always found him to be the most authentically alive person I’d ever met.   David was in tune with the universe and his own imagination on a level that seemed to be the best version of human. He was not interested in answers because he understood that questions are the drive that make us who we are. They are our breath.
·instagram.com·
Kyle MacLachlan on Instagram: "Forty-two years ago, for reasons beyond my comprehension, David Lynch plucked me out of obscurity to star in his first and last big budget movie. He clearly saw something in me that even I didn’t recognize. I owe my entire career, and life really, to his vision. What I saw in him was an enigmatic and intuitive man with a creative ocean bursting forth inside of him. He was in touch with something the rest of us wish we could get to. Our friendship blossomed on Blue Velvet and then Twin Peaks and I always found him to be the most authentically alive person I’d ever met. David was in tune with the universe and his own imagination on a level that seemed to be the best version of human. He was not interested in answers because he understood that questions are the drive that make us who we are. They are our breath. While the world has lost a remarkable artist, I’ve lost a dear friend who imagined a future for me and allowed me to travel in worlds I cou