In order to make it all plausible, Sam uses a unique combination of charm, soft-spoken personal humility and absolute confidence in outlandish claims. He seems like such a nice guy, yet he implies, unrealistically, that the solution to AGI is within his grasp; he presents no evidence that is so, and rarely considers the many critiques of current approaches that have been raised. (Better to pretend they don’t exist.) Because he seems so nice, pushback somehow seems like bad form.Absurd, hubristic claims, often verging on the messianic, presented kindly, gently, and quietly — but never considered skeptically. That’s his M.O. Pay no attention to the assumptions behind the curtain.

Altman’s superficially compelling rhetoric tends to hide from counterarguments while ignoring alternative perspectives

Guadagnino brought them Challengers, which will be released this month. Reznor said, “He started us down a path, saying, ‘What if it was very loud techno music through the whole film?’ ” (This is exactly what it turned out to be.)“I wish I had his notes,” Ross said of Guadagnino. “His notes were so fucking funny on what each piece was meant to do.”“Oh, yeah,” Reznor said. “ ‘Unending homoerotic desire.’ It was all a variation on those three words.”

Gerwig is drawn to the “euphorically dreamlike” quality of Lewis’ writing. “It’s connected to the folklore and fairy stories of England, but it’s a combination of different traditions,” she says.“As a child, you accept the whole thing—that you’re in this land of Narnia, there’s fauns, and then Father Christmas shows up. It doesn’t even occur to you that it’s not schematic. I’m interested in embracing the paradox of the worlds that Lewis created, because that’s what’s so compelling about them.”

preserving the book’s spirit was paramount. “I was trying to be, as a filmmaker, as invisible as possible. I tried my best to keep the poetry of the book, the atmosphere, the colors, the smell, everything that I felt when I read the book. I tried.”

in Herbert’s Dune, computers and artificial intelligence have been banished. Humans try to develop the potential of the human brain, “which is actually the opposite of what we’re trying to do right now,” Villeneuve says.

he worries less about AI “than the fact that we behave like algorithms, as filmmakers. We’re in a very conservative time; creativity is restricted. Everything’s about Wall Street. What will save cinema is freedom and taking risks. And you feel the audience is excited when they see something they haven’t seen before.”

One key problem across the apps is the slog of self-presentation, or “impression management,” said Rachel Katz, a digital media sociologist who studies online dating at the University of Salford in the UK. “An important aspect of it is knowing your audience,” Katz said. On dating apps, you don’t know who exactly you’re presenting yourself to when picking a profile picture or composing your bio. You also don’t have physical cues that can help you adjust that self-presentation. “You’re trying to come up with something that’s generally appealing to people, but it can’t be too weird. It can’t be too unique,” said Bryce. “That’s partly why it’s exhausting,” Katz explains, “because it’s this constant labor. ... You’re not really sure of how to do it, you can’t just fit into a comfortable social role.”

When dating apps are not delivering on compatibility, Dean said, they are leading you to “believe that there’s a forever volume of people you can always like.”

Ury rejects the notion that apps should be asking people for more about themselves in writing or through extensive questionnaires. Users may match up on paper but end up disappointed in real life. “I would have rather that people understand that sooner by meeting up earlier,” she said. “Use the app as a matchmaker who gives you the matches — and then, as quickly as possible, the two of you should be chatting live to see if you are a match,” she said. “We found that three days of chatting is the sweet spot for scheduling a date.”

Yeah. I was thinking a lot about repression, and just not so much just the feeling, but how that would manifest through the body. How you can communicate so much by so little. If you see someone in the corner kind with their shoulders hunched and walking around and keeping to themself and not really taking up so much space, you feel sympathy for them. You feel kind of bad for them.

I tried to create a spreadsheet that would guide readers through the appeals process for all the different types of insurance and circumstances. When a patient needs care urgently, for instance, an appeal follows a different track. But with each day of reporting, with each expert interviewed, it got more and more confusing. There was a point when I thought I was drowning in exceptions and caveats. Some nights were filled with a sense that I was trapped in an impossible labyrinth, with signs pointing to pathways that just kept getting me further lost

You may think that UnitedHealthcare is your insurer because that’s the name on your insurance card, but that card doesn’t tell you what kind of plan you have. Your real insurer may be your employer.

Government insurance is its own tangle. I am a Medicare beneficiary with a supplemental plan and a Part D plan for drug coverage. The appeals process for drug denials is different from the one for the rest of my health care. And that’s different from the process that people with Medicare Advantage plans have to follow.

The federal government sets minimum standards that each state Medicaid program has to follow, but states can make things more complicated by requiring different appeal pathways for different types of health care. So the process can be different depending on the type of care that was denied, and that can vary state to state.

I sought help from Jack Dailey, a San Diego attorney and coordinator for the California Health Consumer Alliance, which works with legal-aid programs across the state. On a Zoom call, he looked at an Excel spreadsheet I’d put together for Medi-Cal, California’s Medicaid program, based on what I had already learned. Then he shook his head. A few days later, he came back with a new guide, having pulled an all-nighter correcting what I had put together and adding tons of caveats. It was seven single-spaced pages long. It detailed five layers of the Medi-Cal appeals process, with some cases winding up in state Superior Court. There were so many abbreviations and acronyms that I needed to create a glossary. (Who knew that DMC-ODS stands for Drug Medi-Cal Organized Delivery System?) And this was for just one state!

It’s especially complicated in oncology, said Dr. Barbara McAneny, a former president of the American Medical Association who runs a 6,000-patient oncology practice in Albuquerque, New Mexico. “My practice is built on the theory that all the patients should have to do is show up and we should manage everything else … because people who are sick just cannot deal with insurance companies. This is not possible,” she said. McAneny told me she spends $350,000 a year on a designated team of denial fighters whose sole job is to request prior authorization for cancer care — an average 67 requests per day — and then appeal the denials. For starters, she said bluntly, “we know everything is going to get denied.” It’s almost a given, she said, that the insurer will lose the first batch of records. “We often have to send records two or three times before they finally admit they actually received them. … They play all of these kinds of delaying games.”

McAneny thinks that for insurance companies, it’s really all about the money. Her theory is that insurance companies save money by delaying spending as long as possible, especially if the patient or the doctor gives up on the appeal, or the patient’s condition rapidly declines in the absence of treatment. For an insurance company, she said, “you know, death is cheaper than chemotherapy.”

Film geeks don't have a whole lot of tangible things to show for their passion and commitment to film. They just watch movies all the time. What they do have to show is a high regard for their own opinion. They've learned to break down a movie. They understand what they like and don't like about a film. And they feel that they're right. It's not open to discussion. When I got involved in the movie industry I was shocked at how little faith or trust people have in their own opinions. They read a script and they like it - then they hand it to three of their friends to see what they think about it. I couldn't believe it. There's an old expression that goes something like, He with the most point of view wins.