Peter Strickland on His Influences, the State of Cinema and Selling Out | Australian Film Television and Radio School
seriously, some of the best cinema is in pornography. If you ignore the money shots, like Bijou by Wakefield Poole, it’s psychedelic gay porn, and it’s just remarkable. It’s interesting because, starting off with the ’90s, there was a pantheon, and there still is a pantheon, so Bergman and Fassbinder, they were at the top of the National Film Theater, as it was called back then, which showed Italian horror, it was on the trash heap. And now, of course, it’s high up because of Mr Luca and his film. So I’m waiting for pornography to get to that, maybe he’ll do a remake of Bijou, I don’t know. I always enjoyed films which were seen as disreputable. There was always okay, this is interesting, let’s look for the trash. I think part of the filmmaker’s job is to be a bit like a vulture, a scavenger, to find things that people would turn their noses up at. So I think you can find great filmmaking anywhere.