Netflix and Video Games — MatthewBall.vc
Angelina Jolie: ‘I just want my family to heal’ | Angelina Jolie | The Guardian
Jack Thorne MacTaggart Lecture: “TV Has Failed Disabled People” – Deadline
What AppleTV+'s 'Physical' Gets Right About Eating Disorders, According To Experts
Tiffany "New York" Pollard on the Cover of PAPER's America Issue - PAPER
How TV Went From David Brent to Ted Lasso
The Worst Person in the World Is the Best Film at Cannes So Far | Vanity Fair
TV Is Full of Stories About Creative Work — Minus the Work Part - The New York Times
Indie Film and TV Studio A24 Seeks Buyer – Variety
The Invention of Black Boyhood Onscreen in “David Makes Man” | The New Yorker
Roger Ebert dead: History of Siskel and Ebert
The Rise and Fall of the Jeremy Renner App, Which Was a Real Thing
Jeff Bezos thinks our cultural heritage is just ‘intellectual property’ | Nicholas Russell | The Guardian
Tilda Swinton on ‘Doctor Strange,’ ‘Memoria’ and Film Festivals – Variety
Inside the first days of Kim Kardashian, Kris Jenner empire - Los Angeles Times
Get Ready, Late Night: Ziwe’s Going to Be an Iconic Host
Looking Back at Adult Swim’s Moral Orel
David Fincher, the Unhappiest Auteur - The New York Times
‘Soul’ Review: Pixar’s New Feature Gets Musical, and Metaphysical - The New York Times
Back to Basic: Emily in Paris | Bright Wall/Dark Room
‘Run’ review by Lucy • Letterboxd
How Film School Helped Me Make Better User Experiences
Grave of the Fireflies movie review (1988) | Roger Ebert
Emily in Paris: Jeremy O. Harris & Mel Ottenberg On the Polarizing Show
Sarah Edmondson and Nippy Ames of HBO’s ‘The Vow’ on NXIM
This Profile of Charlie Kaufman Has Changed - The New York Times
Interview: Demi Adejuyigbe’s ‘September 21’ Videos
'The Mandalorian' Creators Talk Sustainable Virtual Production - Variety
"PEN15" Has The Most Painfully Authentic Gay Teen Storyline I’ve Ever Seen On TV
Jonathan Majors Has the Busiest Year in Hollywood | THE LAST MAGAZINE