what if every police patrol car had a bank of cameras that scan not just every number plate but every face within a hundred yards against a national database of outstanding warrants? What if the cameras in the subway do that? All the connected cameras in the city? China is already trying to do this, and we seem to be pretty sure we don’t like that, but why? One could argue that there’s no difference in principle, only in scale, but a change in scale can itself be a change in principle.

Generative AI is now creating a lot of new examples of scale itself as a difference in principle. You could look the emergent abuse of AI image generators, shrug, and talk about Photoshop: there have been fake nudes on the web for as long as there’s been a web. But when high-school boys can load photos of 50 or 500 classmates into an ML model and generate thousands of such images (let’s not even think about video) on a home PC (or their phone), that does seem like an important change. Faking people’s voices has been possible for a long time, but it’s new and different that any idiot can do it themselves. People have always cheated at homework and exams, but the internet made it easy and now ChatGPT makes it (almost) free. Again, something that has always been theoretically possible on a small scale becomes practically possible on a massive scale, and that changes what it means.

This might be a genuinely new and bad thing that we don’t like at all; or, it may be new and we decide we don’t care; we may decide that it’s just a new (worse?) expression of an old thing we don’t worry about; and, it may be that this was indeed being done before, even at scale, but somehow doing it like this makes it different, or just makes us more aware that it’s being done at all. Cambridge Analytica was a hoax, but it catalysed awareness of issues that were real

With iA Writer 7 you can manually mark ChatGPT’s contributions as AI text. AI text is greyed out. This allows you to separate and control what you borrow and what you type. By splitting what you type and what you pasted, you can make sure that you speak your mind with your voice, rhythm and tone.

As a dialog partner AI makes you think more and write better. As ghost writer it takes over and you lose your voice. Yet, sometimes it helps to paste its replies and notes. And if you want to use that information, you rewrite it to make it our own. So far, in traditional apps we are not able to easily see what we wrote and what we pasted from AI. iA Writer lets you discern your words from what you borrowed as you write on top of it. As you type over the AI generated text you can see it becoming your own. We found that in most cases, and with the exception of some generic pronouns and common verbs like “to have” and “to be”, most texts profit from a full rewrite.

we believe that using AI for writing will likely become as common as using dishwashers, spellcheckers, and pocket calculators. The question is: How will it be used? Like spell checkers, dishwashers, chess computers and pocket calculators, writing with AI will be tied to varying rules in different settings.

We suggest using AI’s ability to replace thinking not for ourselves but for writing in dialogue. Don’t use it as a ghost writer. Because why should anyone bother to read what you didn’t write? Use it as a writing companion. It comes with a ChatUI, so ask it questions and let it ask you questions about what you write. Use it to think better, don’t become a vegetable.

The full wording of the ruling follows: The GRAMMY Award recognizes creative excellence. Only human creators are eligible to be submitted for consideration for, nominated for, or win a GRAMMY Award. A work that contains no human authorship is not eligible in any Categories. A work that features elements of A.I. material (i.e., material generated by the use of artificial intelligence technology) is eligible in applicable Categories; however: (1) the human authorship component of the work submitted must be meaningful and more than de minimis; (2) such human authorship component must be relevant to the Category in which such work is entered (e.g., if the work is submitted in a songwriting Category, there must be meaningful and more than de minimis human authorship in respect of the music and/or lyrics; if the work is submitted in a performance Category, there must be meaningful and more than de minimis human authorship in respect of the performance); and (3) the author(s) of any A.I. material incorporated into the work are not eligible to be nominees or GRAMMY recipients insofar as their contribution to the portion of the work that consists of such A.I material is concerned. De minimis is defined as lacking significance or importance; so minor as to merit disregard.

the human portion of the of the composition, or the performance, is the only portion that can be awarded or considered for a Grammy Award. So if an AI modeling system or app built a track — ‘wrote’ lyrics and a melody — that would not be eligible for a composition award. But if a human writes a track and AI is used to voice-model, or create a new voice, or use somebody else’s voice, the performance would not be eligible, but the writing of the track and the lyric or top line would be absolutely eligible for an award.”

With the comprehensive application of Artificial Intelligence into the creation and post production of images, it seems questionable if the resulting visualisations can still be considered ‘photographs’ in a classical sense – drawing with light. Automation has been part of the popular strain of photography since its inception, but even the amateurs with only basic knowledge of the craft could understand themselves as author of their images. We state a legitimation crisis for the current usage of the term. This paper is an invitation to consider Synthography as a term for a new genre for image production based on AI, observing the current occurrence and implementation in consumer cameras and post-production.