FX

Hooray! The game trailer is finally out for which I drew water, smoke and some fire. I have never had to draw so much water, but I did it. Very happy about it. It was great to work with such cool guys from the Lucan studio team. You are amazing! And of course don't forget to download the game! I already went through 2 biomes. https://store.steampowered.com/app/1593030/Terra_Nil/

Hello, I'm so happy to share the VFX I worked on while participating in "GranSaga" from 2018 to 2022. This is the ultimate skill VFX used by the 'Kaito' character. I had a lot of fun working on it. I will try to become an artist who grows further by sharing my work.

Hello, I'm so happy to share the VFX I worked on while participating in "GranSaga" from 2018 to 2022. This is the ultimate skill VFX used by the 'Leon' character. I had a lot of fun working on it. I will try to become an artist who grows further by sharing my work.

I worked with Plan A and Ruckus Dev in collaboration with the developers of DAH2, Black Forest Games, to help create environmental VFX for water puddles during rain storms. I created materials for the puddles and moving/overflowing water as well as the geyser for the fire hydrant. All particle FX for these were done by fellow and talented VFX Artist Will Jennett. I was also in charge of VFX supervision for multiple cutscenes and Gameplay VFX with a small team of 4 total VFX artists.

Another fun VFX / TechArt problem to solve on Hot Wheels Rift Rally - how to show the "simulation" starting to break down as you take damage or loose energy in the game. The particles were created in PopcornFX and then imported into our proprietary game engine (Viper). There I trimmed the rendering of the billboards so they were only visible within the silhouette of the player's car using a stencil buffer. Then I created a few different shaders for the billboards that did a 2D distortion on the image, "punched holes" in the AR car by just drawing the raw video feed from the car's onboard camera on top of it, and drew some circuit patterns over it with various levels of color channel separation.

This is a hammer impact VFX I created for Tiny Rex’s Wizard of Oz: Idle Merge game. The effect was created mostly in blender by creating both procedural shaders and toon shaders. The cloud component was created by animating by a mixture of code and manual animation by yours truly. The dust component is a procedural shader on a disk mesh and the impact component is conventional vector animation in AE.

Here is some freelance VFX work I've made in the past months I mostly made smaller gameplay and environmental fx I used Unreal Engine 4.27 and 5.1 I also used Houdini to create some of the smoke effects with flipbooks. I may update this in the future if I find a better way to showcase other more context sensitive FX.

Ue4

曾经有幸参与过的一个项目，但与项目内容不一致。QQ交流群；916559618

Unreal Effect Portfolio Phone : 010-5119-3578 E-Mail : wnswk162@naver.com

Unreal Effect Portfolio Phone : 010-5119-3578 E-Mail : wnswk162@naver.com

“Each Olympian in #HadesGame can imbue your weapons with unique powers, such as Zeus' thunder or Poseidon's waves. Have a look at just how much goes into each such effect by our resident visual FX and UI artist, @kirbyLFO.”

参与三丽鸥皮肤联动的特效概念设计，很有挑战性

重新渲染了画质

Hello, I am Kisong Lee, a VFX artist. I have recently been given a great opportunity to collaborate with Colosso, an online class platform, to open my own class. 안녕하세요, VFX 아티스트 이기송입니다. 이번에 제가 좋은 기회로 온라인 클래스 전문 플랫폼 콜로소와 함께 클래스를 오픈하게 되었습니다. 이펙터를 꿈꾸시는 분, 혹은 이제 막 첫 발을 떼신 이펙터 분이라면 분명 같은 툴, 기능을 사용했음에도 다른 이의 이펙트가 더욱 멋있어보인 적이 있으셨을텐데요, 결국 플레이어의 눈길을 사로 잡는 이펙트를 만들기 위해서는, 테크닉적인 감각 뿐 아니라, ‘아트적인’ 감각도 중요하다고 생각합니다. 이번 클래스에서는 이펙트의 아트적인 표현 등 섬세하고 정교한 이펙트 디자인 요소와, 캐릭터 모션에 맞는 이펙트 연출 디테일까지 배워 고퀄리티 비주얼 이펙트를 구현하는 저만의 노하우를 알려드리고자 하는데요, 더불어 판타지 장르에서 활용할 수 있는 방법들을 캐릭터 스킬 실습을 통해 실무 이펙트 제작 과정을 확인 할 수 있으니 경쟁력있는 이펙터를 꿈꾸시는 분이라면 꼭 만나보시길 추천드립니다! 현재는 얼리버드 기간으로 크게 할인된 금액으로 수강할 수 있으니, 링크를 통해 자세한 내용을 확인해 주세요. 👉 https://bit.ly/3J7EYei

Liquid FX practice It took me 4 hours _16 active frames _Adobe Animate

My first Unreal engine real time effect. A big thanks to the VFX Apprentice community and teachers for the feedback and some of the resources used in this effect. I am not switching completely from illustration, but my dream has always been to work in some games. I hope my drawing and this new passion can get us there!

非常高兴能分享我为《符文大地传说》所做的 VFX 工作！这是与 Riot 团队合作的作品。非常感谢 Riot 和 Kudos 为我提供了这么酷工作机会。也非常荣幸能有这个机会与这些极具才华的艺术家们合作，同时也非常感谢 Riot 的 VFX 负责人He Sir/Doris的指导。 I am very happy to share my VFX work for "Legend of Runeterra"! This is a work in collaboration with the Riot team. Thank you Riot and Kudos for providing me with such a cool job opportunity. I am also very honored to have this opportunity to work with these extremely talented artists, and I am very grateful to Riot's VFX director He Sir/Doris for his guidance. Since there are too many artist lists in the collection, you can check the list of corresponding artists in the individual hero video published on the personal homepage, thanks again！

非常高兴能分享我为《符文大地传说》所做的 VFX 工作！这是与 Riot 团队合作的作品。非常感谢 Riot 和 Kudos 为我提供了这么酷工作机会。也非常荣幸能有这个机会与这些极具才华的艺术家们合作，同时也非常感谢 Riot 的 VFX 负责人He Sir/Doris的指导。 I am very happy to share my VFX work for "Legend of Runeterra"! This is a work in collaboration with the Riot team. Thank you Riot and Kudos for providing me with such a cool job opportunity. I am also very honored to have this opportunity to work with these extremely talented artists, and I am very grateful to Riot's VFX director He Sir/Doris for his guidance. HeSir https://www.artstation.com/hesirs Doris https://www.artstation.com/fang92724 Artists: 3D - Eli Chen https://www.artstation.com/jc801212 Stan Huang https://www.artstation.com/stanhuang Alan Lan Animator - Zhihe Ren Rig - Allen Zhang https://www.artstation.com/xianfengzhang9 Concept - Meng Yuan https://www.artstation.com/yuanmeng 再次感谢所有艺术家！ Thanks again to all artists!

非常高兴能分享我为《符文大地传说》所做的 VFX 工作！这是与 Riot 团队合作的作品。非常感谢 Riot 和 Kudos 为我提供了这么酷工作机会。 也非常荣幸能有这个机会与这些极具才华的艺术家们合作，同时也非常感谢 Riot 的 VFX 负责人He Sir ＆Doris的指导。 I am very happy to share my VFX work for Legends of Runeterra! This is a work in collaboration with the Riot team. Thank you Riot and Kudos for providing me with such a cool job opportunity. I am also very honored to have this opportunity to work with these extremely talented artists, and I am very grateful to Riot's VFX director He Sir＆Doris for his guidance Art Direction: https://www.artstation.com/hesirs https://www.artstation.com/fang92724 Artists List 3D: https://www.artstation.com/jc801212 https://www.artstation.com/zhs512051917 Rig： Sky Liu Animation: Jane Chen Storyboard: Ned Guo TA: https://www.artstation.com/u2dfc42dd https://www.artstation.com/tangtao

also daily practice https://www.instagram.com/anastasia__shestak/

[Unity] Sword, Sword Projectile VFX 2023/03

I wanted to really make something with ice this time and I wanted to make something that might be useable as an ultimate ability. That would freeze the area and then explode and deal damage. I got a lot of help from a lot of wonderful vfx artists to make this happen. I'm really proud of it and all the progress I've achieved thus far!

This is not official content. This is a champion's debut design after the card is played. After the player chooses Kayn's upgrade branch, there will be different animations. Each design is derived from the Kayn concept in LOL. The first two videos are the complete game process (select cards, play cards, choose red or blue Kayn, and Kayn is played). The last two videos and Gif are the main animation part, which removes the previous lengthy process. Red design: The darkin scythe cuts the card to release Kayn's inner darkin. It can also be designed as a sickle inserted into the card, or through some energy tentacles to choke the card and transmit energy to achieve the purpose of awakening the darkin. Blue design: The scythe should fly to the destination, and then the blue Kayn flies over like a ghost, reflecting the mobility and elusive charm of the blue kayn. In terms of time, Blue's animation event is about 40 frames (less than 1.5 seconds), and Red's time is close to 60 frames (about 2 seconds) I admit that it takes a long time to express some ideas, but it is at least less than the time for champions to upgrade Champion upgrade time>Champion played time>Other skills. Just a fun Art, Just have fun. Finally, there is a cool idea played by Aatrox. hahahaha!

Smoke Grenades are now dynamic volumetric objects that interact with the environment, and react to lighting, gunfire, and explosions.

“LETS FUCKIN GOOOO”

I was impressed by the fantastic shaders in Genshin Impact and decided to study the NPR (Non-Photorealistic Rendering) technique. While studying, the following two posts have been very helpful. My post introduces a variety of functions that I have researched. ============================================================================== Ben Ayers Blender Shader https://www.artstation.com/blogs/bjayers/9oOD/blender-npr-recreating-the-genshin-impact-shader Adrian Mendez Unity URP Shader https://www.artstation.com/artwork/wJZ4Gg The modeling and textures of the posts use the modeling that is officially distributed, and you can directly download it from the website below. I used it for educational purposes. https://ys.biligame.com/gczj/ Thanks for watching !